Heralds a new voice with certain staying power.

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WHAT IT MEANS WHEN A MAN FALLS FROM THE SKY

Nigeria serves as a prism refracting the myriad experiences of both former and current inhabitants.

In two different stories in Arimah’s debut collection, characters have the supernatural ability to drain emotions from other people, for good or for ill. In “Who Will Greet You at Home,” a Nigerian woman participates in a tradition of making children out of inanimate materials and having them blessed by older women in hopes that they will become real. But these blessings come at a price—in her case, "Mama" blesses the child in exchange for the protagonist's own joy, “siphoned a bit, just a dab…a little bit of her life for her child’s life.” In the title story, figures known as Mathematicians are able to use precise algorithms and equations to relieve negative emotions from customers who can afford it. This power over feelings is as good a metaphor as any for storytelling. And Arimah has skill in abundance: the stories here are solid and impeccably crafted and strike at the heart of the most complicated of human relationships. Against a backdrop of grief for dead parents or angst over a lover, Arimah uses Nigeria as her muse. The characters exist in relation to a Nigeria of the past—the ghost of the Nigerian civil war, especially, looms over many of the stories—as well as present-day Nigeria, either as citizens or expats. Arimah even imagines a future Nigeria in which it has become the “Biafra-Britannia Alliance” in a massive geopolitical shift resulting from devastating climate change. This speculative turn joins everything from fabulism to folk tale as Arimah confidently tests out all the tools in her kit while also managing to create a wholly cohesive and original collection.

Heralds a new voice with certain staying power.

Pub Date: April 4, 2017

ISBN: 978-0-7352-1102-5

Page Count: 240

Publisher: Riverhead

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE COMPLETE SHORT STORIES OF ERNEST HEMINGWAY

THE FINCA VIGIA EDITION

What's most worthy in this hefty, three-part volume of still more Hemingway is that it contains (in its first section) all the stories that appeared together in the 1938 (and now out of print) The Fifth Column and the First Forty-Nine Stories. After this, however, the pieces themselves and the grounds for their inclusion become more shaky. The second section includes stories that have been previously published but that haven't appeared in collections—including two segments (from 1934 and 1936) that later found their way into To Have and Have Not (1937) and the "story-within-a-story" that appeared in the recent The garden of Eden. Part three—frequently of more interest for Flemingway-voyeurs than for its self-evident merits—consists of previously unpublished work, including a lengthy outtake ("The Strange Country") from Islands in the Stream (1970), and two poor-to-middling Michigan stories (actually pieces, again, from an unfinished novel). Moments of interest, but luckiest are those who still have their copies of The First Forty-Nine.

Pub Date: Dec. 2, 1987

ISBN: 0684843323

Page Count: 666

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Nov. 15, 1987

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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