An edgy, updated take on Nora Ephron that’s full of humor and wit.
In her promising debut, Cohen follows two New Yorkers as they deal with jobs, relationships, family, and all the other tribulations of being 20-something.
Eve Porter has a lot of baggage, and she isn’t ashamed of it. Her father abandoned her family when she was a child, and her mother was killed on Sept. 11. Now she’s a worrier, one who thinks that by observing everything and expecting the worst, she can predict catastrophes before they happen. She’s an aspiring music writer who loves words and emotions; when she meets laconic Ben, an engineering student, she immediately writes him off. He’s far too normal and not nearly tortured enough to suit her. But, years later and after the end of a particularly toxic relationship, Eve runs into Ben again. This time, things are different. Ben falls for her almost immediately, but Eve is more hesitant. Can she really be vulnerable enough to let someone in, or will her self-destructive nature take over? Eve’s funny, biting voice is what really makes the narrative sing—her musings on loss and anxiety are heartbreakingly honest without ever dipping into saccharine territory. Cohen creates characters who feel real enough to jump off the page, as if readers might run into them on the street. Eve and Ben are the standouts, but the side characters are also perfectly described: Eve’s surly sister, Ben’s goofy friends, Eve’s disappointingly human father. Although this is Eve and Ben’s love story, it’s also an ode to New York City, an exploration of loss, a rumination on 9/11’s effects on a generation, and a tale of two people navigating their 20s.
An edgy, updated take on Nora Ephron that’s full of humor and wit.Pub Date: Jan. 23, 2018
ISBN: 978-1-5011-6853-6
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Nov. 13, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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