Three free-floating—or crisscrossing, if you prefer—novellas relating the continuing, creative, and not fully credible adventures of Leib Goldkorn, the Åbermensch refugee who first appeared in Epstein’s Steinway Quintet (1976). In this telling, he emerges as perhaps the most indomitable Jew to walk through a lion’s den since Daniel. Although he was born in Vienna at the turn of the century, Leib Goldkorn’s whole life seems much more suited to the New World than the Old. At home everywhere—but seemingly without a fixed address—Leib, now 97, is a wanderer who’s seldom at a loss in new surroundings and seems to run into old friends wherever he goes. In “Ice,” we find him stuck in Paris during Kristallnacht. True, it’s better than being in Vienna, but the whole continent is starting to look bad. Fortunately, fate intervenes in the person of Daryl Zanuck, who sends off a telegram demanding that he come to L.A. to compose the score for a new Sonja Henie film. “Fire” is a continuation of Leib’s Hollywood saga, in which he finds himself conducting a shipboard romance with Carmen Miranda en route to South America, and “Water” puts him still farther afield in the South Seas, where he manages to rescue Esther Williams from a tribe of cannibals. The stories overlap, though, and contain digressions enough—usually female—to make Tristram Shandy (or even Tom Jones) lose his train of thought. There’s Leib’s beloved Crystal Knight, the most brilliant ingÇnue ever to be airbrushed by Larry Flynt. And Clara, Leib’s longsuffering wife, who resurfaces in his memory every so often to remind him that he’s an honest man. Most intriguing, perhaps, is the mysterious, inscrutable, and vaguely nefarious ice queen whom Leib finds himself pursuing through the streets of Manhattan with a positively adolescent obsessiveness: Michiko Kakutani. Defies convention in any strict sense, but who cares? Epstein’s imagination is as fluid as quicksilver and as volatile as magnesium.
Pub Date: Oct. 1, 1999
ISBN: 0-393-04804-7
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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