Three free-floating—or crisscrossing, if you prefer—novellas relating the continuing, creative, and not fully credible adventures of Leib Goldkorn, the Åbermensch refugee who first appeared in Epstein’s Steinway Quintet (1976). In this telling, he emerges as perhaps the most indomitable Jew to walk through a lion’s den since Daniel. Although he was born in Vienna at the turn of the century, Leib Goldkorn’s whole life seems much more suited to the New World than the Old. At home everywhere—but seemingly without a fixed address—Leib, now 97, is a wanderer who’s seldom at a loss in new surroundings and seems to run into old friends wherever he goes. In “Ice,” we find him stuck in Paris during Kristallnacht. True, it’s better than being in Vienna, but the whole continent is starting to look bad. Fortunately, fate intervenes in the person of Daryl Zanuck, who sends off a telegram demanding that he come to L.A. to compose the score for a new Sonja Henie film. “Fire” is a continuation of Leib’s Hollywood saga, in which he finds himself conducting a shipboard romance with Carmen Miranda en route to South America, and “Water” puts him still farther afield in the South Seas, where he manages to rescue Esther Williams from a tribe of cannibals. The stories overlap, though, and contain digressions enough—usually female—to make Tristram Shandy (or even Tom Jones) lose his train of thought. There’s Leib’s beloved Crystal Knight, the most brilliant ingÇnue ever to be airbrushed by Larry Flynt. And Clara, Leib’s longsuffering wife, who resurfaces in his memory every so often to remind him that he’s an honest man. Most intriguing, perhaps, is the mysterious, inscrutable, and vaguely nefarious ice queen whom Leib finds himself pursuing through the streets of Manhattan with a positively adolescent obsessiveness: Michiko Kakutani. Defies convention in any strict sense, but who cares? Epstein’s imagination is as fluid as quicksilver and as volatile as magnesium.
Pub Date: Oct. 1, 1999
ISBN: 0-393-04804-7
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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