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TRICK ARRR TREAT

A PIRATE HALLOWEEN

While many would welcome a pirate-themed Halloween tale, this one isn’t quite shipshape.

When a pack of kids decides to all dress up as pirates for Halloween, their imaginations almost get the best of them.

Kimmelman uses rhyming text in her latest offering with mixed results. Yes, pirate fans will hear plenty of pirate lingo, but too often the rhythm feels forced. The story is, however, full of action as a diverse group of boys and girls eagerly sets off to get as much sweet loot as they can. Notably, the pirate chief is an African-American girl. As the gang makes its way through the neighborhood, a black creature in the shadows comes on the scene. Charlotte Blue-Tongue, Rude Ranjeet, and Glass-Eyed Gabby board their ship, but the shadowy figure gets closer. Is it a monster or a sea serpent? Here, Monlongo shifts from a deep-hued spread of reds, black, and purples with a menacing, sharp-toothed monster ready to swallow the boat whole to the next full-bleed spread, which reveals a shaggy, friendly big dog with its pink tongue hanging out expectantly. It’s a cute reveal, but the payoff doesn’t seem commensurate with the buildup. The illustrations have a textured look but ultimately do little to add subtlety to the overwrought wording.

While many would welcome a pirate-themed Halloween tale, this one isn’t quite shipshape. (Picture book. 4-8)

Pub Date: Sept. 1, 2015

ISBN: 978-0-8075-8061-5

Page Count: 32

Publisher: Whitman

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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WHY A DAUGHTER NEEDS A MOM

New parents of daughters will eat these up and perhaps pass on the lessons learned.

All the reasons why a daughter needs a mother.

Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.

New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)

Pub Date: May 1, 2019

ISBN: 978-1-4926-6781-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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