Maybe it’s the circumstances, but the writing here is always thoughtful, always attentive, and shorn of the trimmings.
Life by and on the sea may have worked its juju on the writers of these fine tales of commercial fishing, but they convey enough of the work’s hard, raw—at times terrifying—side to keep readers from rushing out to get their fishing licenses.
It’s a line of work that many consider the most dangerous going. Its elemental, heroic, romantic, and ancestral qualities have drawn all manner of writers, but 19 of the good ones are counted in this collection. A few of them will be known to even casual readers of deep-blue fishing tales: John Cole, Gavin Maxwell, and Peter Matthiessen, who contributes a sweet little piece on earning the respect of the fishermen out of Montauk, Long Island, after three years as a one of them. Less well known names also produce some shining material. Seth Harkness writes of diving for urchins in “water that wouldn't melt an ice cube for weeks at a time” off the winter coast of Maine; Paul Molyneaux goes after swordfish with a harpoon on the Georges Bank, where the Labrador Current meets the Gulf Stream and “in alternating wafts of cold and warm air we can smell icebergs and coconuts.” Wendy Erd draws with splendid economy the laying of a setnet for salmon across a piece of the Ugashik River in Bristol Bay, Alaska, while Linda Greenlaw makes it plain as day why she became a swordboat captain in this story of her roots along Maine's Penobscot Bay. Martha Sutro throws all caution to the wind by taking on the “unconventional, hard-working, dangerous, and distant life” of crabbing in a Bering Sea winter, then Spike Walker, doing what he does best—scaring the bejesus out of readers by recounting desperate moments of fishermen in harm’s way—tells the outrageous survival story of a crabbing boat that rolled during one of Alaska’s coldest winters on record.
Maybe it’s the circumstances, but the writing here is always thoughtful, always attentive, and shorn of the trimmings.Pub Date: Oct. 8, 2001
ISBN: 0-312-27726-1
Page Count: -
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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