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THE MAN DANCE

An unnerving but highly readable historical novel about a troubled teen.

Rollins’ (Good-Time Girl, 2019) historical novel tells the story of a troubled, talented English boy’s coming-of-age in the 1960s.

As a small child, George Carveth grows up on the Cornish coast surrounded by family, although some of his relatives disapprove of the ballet class that he attends: “Strange he was the only male child there. Some of the boys in the neighborhood didn’t want George playing football anymore, which was batty….The adults decided this ‘Frenchy dancing’ had gone far enough.” When his father gets an offer of a new job in London, his parents move to the city while 10-year-old George is sent to a posh boarding school. There, the other students make fun of his accent, and a bigoted member of the faculty takes exception to George’s partial Indian ancestry. He’s seemingly befriended by one of his schoolmasters, Mr. Wilburn, but the man quickly reveals his true intentions by asking George to dance naked for him. The teacher’s sexual abuse of the boy coincides with a split in George’s personality: the cautious, everyday George and the secretive “Shadow George,” which he sees as his “bad self." As Shadow George increasingly makes decisions for him, the 14-year-old dances on a lark before his classmates while "lightly clad," and makes aggressive advances toward younger students. One of his uncles, who recognizes George’s talent for singing, dancing, and impressions, encourages his parents to contact a talent scout, so George meets a pair of Americans named Jack and Jill Stuart. With their encouragement—particularly that of Jill, to whom the teenager takes a special fancy—George begins to hone his craft and embark on a career in entertainment. The 15-year-old continues to struggle with his confused sexual feelings as he pines for Jill and as Jack makes sexual overtures. As the boy reaches his later teens and success in the arts appears within reach, Shadow George threatens to cause more trouble. Over the course of this novel, Rollins’ prose is nimble and ornately textured, evoking the landscapes of Cornwall and London with painterly skill. Her characters are drawn even more finely, as each is revealed to be a knotted web of conflicting instincts and beliefs. Her treatment of sexuality—and the predatory advances of adults and older children—is particularly sharp. At one point, George reveals Wilburn’s actions to his older cousin Timmy, who says that he regularly exposes himself to a Norwegian sailor in exchange for a penny. The cousin remarks that there are “Odd ducks in the world…I’ve met a few. No one ever tells you.” Apart from these moments, however, the book has a very traditional feel; indeed, Rollins lays out her story at a leisurely pace that sometimes drags, and the plot’s shape is somewhat easy to predict. Still, Rollins has assembled an array of broken people who are compelling, even as they destroy one another, and she manages to capture a horrific side of humanity.

An unnerving but highly readable historical novel about a troubled teen.

Pub Date: Feb. 6, 2019

ISBN: 978-1-79572-477-7

Page Count: 394

Publisher: Time Tunnel Media

Review Posted Online: July 25, 2019

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THE PILLARS OF THE EARTH

It's all quite entertaining and memorable.

Here, Follett sets the thrillers aside for a long, steady story about building a cathedral in 12th-century England.

Bloodthirsty or adventure-crazed Follett readers will be frustrated, but anyone who has ever been moved by the splendors of a fine church will sink right into this highly detailed but fast-moving historical work—a novel about the people and skills needed to put up an eye-popping cathedral in the very unsettled days just before the ascension of Henry II. The cathedral is the brainchild of Philip, prior of the monastery at Kingsbridge, and Tom, an itinerant master mason. Philip, shrewd and ambitious but genuinely devout, sees it as a sign of divine agreement when his decrepit old cathedral burns on the night that Tom and his starving family show up seeking shelter. Actually, it's Tom's clever stepson Jack who has stepped in to carry out God's will by secretly torching the cathedral attic, but the effect is the same. Tom gets the commission to start the rebuilding—which is what he has wanted to do more than anything in his life. Meanwhile, however, the work is complicated greatly by local politics. There is a loathsome baron and his family who have usurped the local earldom and allied themselves with the powerful, cynical bishop—who is himself sinfully jealous of Philip's cathedral. There are the dispossessed heirs to earldom, a beautiful girl and her bellicose brother, both sworn to root out the usurpers. And there is the mysterious Ellen, Tom's second wife, who witnessed an ancient treachery that haunts the bishop, the priory, and the vile would-be earl. The great work is set back, and Tom is killed in a raid by the rivals. It falls to young Jack to finish the work. Thriller writing turns out to be pretty good training, since Follett's history moves like a fast freight train. Details are plenty, but they support rather than smother.

It's all quite entertaining and memorable.

Pub Date: Sept. 7, 1989

ISBN: 0451225244

Page Count: 973

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 23, 2011

Kirkus Reviews Issue: Aug. 15, 1989

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SHOCK WAVE

Cussler's most adult, least comic-strip-y entry yet in the Dirk Pitt sea sagas. Gone is the outlandish plotting of Treasure (1988), when Dirk found Cleopatra's barge in Texas, and of Sahara (199), which unearthed Lincoln's body in a Confederate sub—buried in the desert sands. Now, in his 11th outing, Dirk Pitt and his National Underwater and Marine Agency (NUMA) fight villainous megalomaniac Arthur Dorsett, head of Dorsett Consolidated Mining, which holds the world's wealthiest diamond-mine empire. Pitt and his team must fight as well Dorsett's three daughters, the coldly beauteous Amazonian Boudicca, whose giant strength dwarfs Dirk's; the elegant but heartless Deirdre; and the star-crossed zoologist Maeve, whose bastard twins are held captive by grandfather Arthur so that Maeve will infiltrate NUMA and report on its investigation of his holdings—even though Dirk recently saved Maeve and Deirdre's lives in the Antarctic. First, however, Cussler takes us back to 1856 and a typhoon-battered British clipper ship, the Gladiator, that sinks in uncharted seas off Australia; only eight survive, including Jess Dorsett "the highwayman," a dandyish-looking convict, who discovers raw diamonds when stranded on an uninhabited island. From this arises the Dorsett empire, bent on undermining the world market in diamonds by dumping a colossal backlog of stones and colored gems into its vast chain of jewelry stores and, with one blow, toppling De Beers and all rivals. Worse, Arthur Dorsett excavates by high-energy-pulsed ultrasound, and when ultrasound from all four of his island mines (one on Gladiator Island, near New Zealand, another by Easter Island, the last two in the North Pacific Ocean) happen to converge, a killer shock wave destroys all marine and human life for 30 kilometers around, and now threatens over a million people in Hawaii—unless Dirk Pitt's aging body can hold it back. Tireless mechanical nomenclature, but furious storytelling.

Pub Date: Jan. 2, 1996

ISBN: 0-684-80297-X

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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