SHINE, BABY, SHINE

A picture-book celebration of babies and their individuality.

While the text doesn’t directly quote the spiritual “This Little Light of Mine,” many readers will doubtlessly think of the song when they read Staub’s text in verse. Nor does the text define characters, instead leaving illustrator Nichols to depict not just a singular baby named in the title, but several babies and their diverse families. Smooth cartoon illustrations with stardustlike detailing depict: a white-appearing toddler with a single mother and older sibling who both also appear white; baby twins who, like their parents (one of whom uses a wheelchair), appear white; a baby who appears Asian with what seem to be two dads (one also appears Asian, and the other seems white); and a black-appearing family with a mom, dad, baby, and older child. These characters recur throughout the book, the ever present sparkles emphasizing the title’s “shine.” This family diversity contributes to the picture book’s success, making it stand apart from a surfeit of titles about beloved babies. However, readers may note that the inclusivity is a bit undermined by the text’s positioning of seeing and hearing as universal abilities with lines such as “Look, baby, look! You were born to see” and “Listen, baby, listen! Hear that joyful sound?” Given the thoughtful inclusion of a person with a visible disability, this stands out.

Warm and bright. (Picture book. 1-3)

Pub Date: March 18, 2020

ISBN: 978-1-59078-931-5

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.

THE ABCS OF LOVE

Animal parents declare their love for their offspring in alphabetical order.

Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.

Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)

Pub Date: Dec. 1, 2020

ISBN: 978-1-7282-2095-6

Page Count: 28

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 27, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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Specific visuals ground this sweet celebration of simple pleasures.

MY HEART FILLS WITH HAPPINESS

Black-haired, brown-skinned children describe many sources of happiness in this board book, dedicated by the author to “former Indian Residential School students.”

“My heart fills with happiness when… / I see the face of someone I love // I smell bannock baking in the oven / I sing.” Author Smith, who is Cree, Lakota, and Scottish-Canadian, infuses her simple text with the occasional detail that bespeaks her First Nations heritage even as she celebrates universal pleasures. In addition to the smell of bannock, the narrator delights in dancing, listening to stories, and drumming. Cree-Métis artist Flett introduces visual details that further underscore this heritage, as in the moccasins, shawl, and braids worn by the dancing child and the drum and drumsticks wielded by the adult and toddler who lovingly make music together. (The “I drum” spread is repeated immediately, possibly to emphasize its importance, a detail that may disorient readers expecting a different scene.) Although the narrative voice is consistent, the children depicted change, which readers will note by hairstyle, dress, and relative age. The bannock bakes in a modern kitchen, and most of the clothing is likewise Western, emphasizing that these Native Americans are contemporary children. There is nothing in the text that specifically identifies them by nation, however.

Specific visuals ground this sweet celebration of simple pleasures. (Board book. 1-3)

Pub Date: March 1, 2016

ISBN: 978-1-4598-0957-4

Page Count: 24

Publisher: Orca

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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