Fabulous fantasy spiked with bitter adult wisdom—not to be missed.
Now a king in the magical land of Fillory, Quentin embarks on a quest to save the universe in Grossman’s searing sequel to The Magicians (2009, etc.).
It’s been two years since Quentin assumed one of Fillory’s four crowns along with Eliot and Janet, fellow graduates of the Brakebills College for Magical Pedagogy, and Quentin’s high-school friend Julia, a Brakebills reject who managed to acquire magical powers on her own. Truth to tell, he’s a little bored with his cushy life at the Castle Whitespire, so he seizes on the excuse of a tax-collecting mission to sail for Outer Island, rumored to be the home of “the key that winds up the world.” It’s an ugly surprise when he and Julia find the key and it dumps them back in their hometown on Earth. Searching for a way back to Fillory, they learn that something is very wrong in the Neitherlands, the mysterious embarkation point that leads to all other worlds, and that the key they found is one of seven required to fend off an apocalypse. Interspersed chapters flash back to Julia’s dark adventures before she reunited with Quentin. She discovered a network of people sharing magical knowledge outside the approved Brakebills framework, and her prodigious skills eventually earned her entrance into an elite circle of brilliant, self-taught magicians seeking “an advance so radical it will take us into another league…we think there’s more to magic than what we’ve seen so far.” Indeed there is: The ancient forces recklessly summoned by Julia and her friends provoke a spectacular magical battle, a terrifying transformation for Julia and the loss of everything Quentin has ever wanted. Echoes from The Chronicles of Narnia, in particular The Voyage of the Dawn Treader, continue to reverberate, but Grossman’s psychologically complex characters and grim reckoning with tragic sacrifice far surpass anything in C.S. Lewis’ pat Christian allegory.
Fabulous fantasy spiked with bitter adult wisdom—not to be missed.Pub Date: Aug. 9, 2011
ISBN: 978-0-670-02231-1
Page Count: 448
Publisher: Viking
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
