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WALKING THE NILE

Wood delivers a bold travelogue, illuminating great swathes of modern Africa, but as literature, it leaves something to be...

Walking the Nile has enticed many explorers, but Wood provides an up-to-the-minute portrait of the nations and people that claim the world’s longest river.

From the moment the author began his journey, at the alleged source of the Nile, he encountered constant conflict and hardship. His guides mistrusted each other. So-called pygmies were reluctant to accept him. He had to fight through every border crossing, and he faced the constant threats of theft, disease, and corruption. Wood is a war veteran, and he was able to improvise his way through dangerous situations, such as firefights in a Sudanese city and an interrogation by secret police. But the trek was not without tragedy: when the author agreed to walk with American journalist Matt Power for a week, Power eventually collapsed and died of heat stroke. “I wanted the cold comfort of English skies again,” writes Wood. “I wanted to be anywhere but here, thinking of the man who had died so that he could write about me on my indulgent, pointless, selfish trek.” Overall, Wood is a sharp observer and authoritative writer. He takes pains to describe the Rwandan conflict, the Egyptian revolution, the Sudanese civil war, and all the culture clashes in between. But chutzpah and empathy only get him so far. In the end, the author is unable to adequately explain his interest in the Nile, and the book does feel indulgent at times. The story is awkwardly similar to Rory Stewart’s The Places in Between, while lacking the immediacy of the Afghan context. Unlike Stewart, Wood accumulated media coverage as he went. By the time he reached the Aswan Dam, he was carrying an article chronicling his passage. This kind of publicity recalls the newspaper frenzy of the Stanley-Livingstone expedition. For adventurers like Wood and Stanley, the Nile is a metaphor as much as a place.

Wood delivers a bold travelogue, illuminating great swathes of modern Africa, but as literature, it leaves something to be desired.

Pub Date: Feb. 1, 2016

ISBN: 978-0-8021-2449-4

Page Count: 368

Publisher: Atlantic Monthly

Review Posted Online: Oct. 21, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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