Thanks to a flow of toxic waste that turns farm animals into monsters, a family’s rural vacation takes several exciting, if wildly arbitrary turns.
In their fourth outing, Petey, Jean, their parents and their own household monster Kriss arrive as guests at a farm that seems deserted at first but soon coughs up a giant bunny, a T. Rex–sized turkey and other toothy, red-eyed horrors. Joined by the friendly local farmer, himself turned into a sasquatch with mismatched eyes, the family tracks a suspicious pipeline to a factory where the monsters turn out to be a (wait for it) tomato researcher’s experimental subjects. In Trondheim’s small, unbordered cartoon scenes, the lumpy monsters (except for Kriss, who resembles a multilimbed turquoise Barbapapa) look properly menacing. In the end, after much chasing about, they turn out to be not such bad sorts—and though some monsters die in gruesome ways, the overall effect is more comical than disturbing or scary.
The tiny-type narrative text is hard to make out, but fans of Trondheim’s previous graphic tales will be used to his format. (Graphic fiction. 6-8)