by Liana Millu ‧ RELEASE DATE: Sept. 1, 1991
As its survivors die, so too will the stream of Holocaust testimony. Though narrowing, the trickle continues. This Italian testament has both polish and poetry and strong images of suffering barely borne, but more indelibly it serves as a particular focus into the specially female hell of the camps, what made the woman prisoner different from the man. Displaced, brutalized, sick, dying, the women wretches of Millu's Birkenau lager are as much buoyed as cast down by what remains of their sentimental or family relations: a husband or lover or son perhaps still alive across the fence in the men's camp, Auschwitz; a hidden pregnancy; a sister unforgivably become a whore in the camp's brothel. There is no fake sisterhood or sorority—if anything, the internecine competition is fiercely vocal, sexually cynical—but there is shared attention to the pain of the heart as well as to the body and spirit: These are prisoners who might give over their whole meager ration of daily bread to a camp fortuneteller in hopes of hearing how a loved one fares. The storylike chapters have a professional, even on occasion a melodramatic feel, somewhat disconcerting; but Millu's writerliness is also able to deliver the unforgettable passage from which the book takes its title: ``I remember what Jeanette used to say, watching the dense spirals rise from the crematoria and trail across the sky: the black curls were the souls of the lager's old- timers marching in orderly rows of five toward the kingdom of the merciful God, while the wispy little white curls that drifted and vanished waywardly, the merest puffs, were the souls of children and newcomers who had yet to learn discipline.''
Pub Date: Sept. 1, 1991
ISBN: 0-0276-0398-3
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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