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THE HYPNOTIST'S LOVE STORY

Amazingly, the effervescent comedy and troubling melodrama combine to create a satisfying beach read, escapist but not...

Australian Moriarty (What Alice Forgot, 2011, etc.) has managed to combine an infectiously lighthearted romance about a Sydney hypnotherapist with a potentially upsetting examination of a stalker’s interior life.

In the first scene, an unnamed narrator has come for treatment for mysterious leg pains at the home of the eponymous heroine, Buddhist-leaning but not stereotypically New-Agey Ellen, who uses her powers of hypnotic persuasion to solve other people’s problems. Unfortunately, Ellen has been less successful solving her own problems in maintaining relationships. Then she meets surveyor Patrick, a widower, and the rapport is immediate. The romance proceeds swimmingly. Ellen even hits it off with Patrick’s 8-year-old son, Jack. There is only one little hitch: Patrick is being stalked by his ex-girlfriend Saskia, who turns out to be the leg pain patient. Chapters take turns showing Ellen’s and Saskia’s perspectives as events unfold. Ellen, whose self-professed goal in life is self-awareness, tends to overanalyze, but she is also endearingly honest in rooting out her true feelings. Saskia’s way of showing up and knowing everything about Ellen's and Patrick’s lives creeps her out, but Ellen also finds herself wanting to understand Saskia, especially when Ellen acknowledges her own reaction to Patrick’s lingering feelings for his dead wife. She is even drawn toward a gray ethical area in deciding whether to use her powers of suggestion on Patrick. But Saskia is the novel’s unexpected heart. Moriarty makes it clear why Patrick, who is refreshingly imperfect as a secondhand Prince Charming, finds Saskia a threatening presence in his life. How far she might go is worrisome. But like Ellen, readers will be drawn to Saskia. She is a predator but also a deeply troubled woman. Moriarty makes sure that any woman who has ever compared herself to a lover’s ex or Googled an ex of her own will identify to some degree with Saskia’s struggle to overcome what she recognizes is an unhealthy obsession.

Amazingly, the effervescent comedy and troubling melodrama combine to create a satisfying beach read, escapist but not unintelligent.

Pub Date: June 14, 2012

ISBN: 978-0-399-15910-7

Page Count: 416

Publisher: Amy Einhorn/Putnam

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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