A superb, complex romance full of heart, humor, and unforgettable characters.

ALL THE THINGS WE NEVER KNEW

Two promising Texas basketball players navigate the ups and downs of first love.

For 11th grade star players Carli and Rex, it’s love at first sight when he blows her a kiss from the free-throw line as she watches the game on the sidelines. Carli believes in magic and looks for signs in everyday life—like Rex’s kiss—to help her make decisions. Who should she live with after her parents’ divorce? What should she do with her future—one that won’t include basketball, which she knows will disappoint her father and teammates? Rex is a nature lover like his mother, who died giving birth to him. His father is distant, and inside their big, lonely house, Rex dreams of the NBA. Carli and Rex’s roller-coaster romance is rife with betrayal, heartbreak, grief, and family secrets. As narrators of alternating chapters, they are funny, smart, and unflinchingly candid. Well-written dialogue and fine attention to detail reveal Tamani’s strong insight into Gen Z life. The intensity and depth of Carli and Rex’s love story are conveyed as deftly as the high-energy play-by-plays in their basketball games. Tamani crafts layers of complexity around falling in love, making hard choices, and dealing with loss—on and off the court—in this deeply intimate story of two talented, sensitive teens. Carli, Rex, and their relatives and friends are Black; Rex’s teammates are White.

A superb, complex romance full of heart, humor, and unforgettable characters. (Fiction. 13-18)

Pub Date: June 9, 2020

ISBN: 978-0-06-265691-9

Page Count: 384

Publisher: Greenwillow Books

Review Posted Online: April 5, 2020

Kirkus Reviews Issue: May 1, 2020

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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