Next book

CALLING MY NAME

Stylish prose brings home quiet depths.

An African-American girl living in Houston, Texas, with her close-knit family—parents, younger sister, and older brother—grows from flat-chested preadolescent to a young woman about to go to college.

Readers meet her on a Sunday morning when she uses the excuse of an upset stomach to stay home from church—and loves it. Brought up in a strictly religious household, Taja begins to question the existence of God and the way of life that she has been taught to lead. When she falls in love for the first time, her inner conflict strains further, and Taja is faced with the biggest challenge of her life thus far. Taja deals with the insecurities that most young people feel regarding identity, love, and fitting in. Her relationship to her spirituality as well as her negotiations with self-discovery, acceptance, and burgeoning sexuality are also explored. With Taja as narrator, readers see her life juxtaposed against her older brother’s, who is given the freedom traditionally afforded boys and not girls, not just in church, but also by society in general. It’s a slow-build narrative coated in ornate language that may initially distract readers but pays off in the end, bringing them close to the heart of Taja and the higher power she yearns toward.

Stylish prose brings home quiet depths. (Fiction. 14-18)

Pub Date: Oct. 24, 2017

ISBN: 978-0-06-265686-5

Page Count: 320

Publisher: Greenwillow Books

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

Awards & Accolades

Likes

  • Readers Vote
  • 54


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Awards & Accolades

Likes

  • Readers Vote
  • 54


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Close Quickview