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THUNDERWITH

In her first YA novel, an Australian author vividly portrays present-day farmers in New South Wales's coastal rain forest. Lara has just lost her mother to cancer; a search by kindly neighbors turns up Dad, whom she barely remembers. The two quickly form a comfortable bond, but Dad's new wife, Gladwyn, and their four kids are less welcoming. Gladwyn's resentment borders on hatred; she declares openly that there's no room for Lara in the one-room shack where they live, eking out a meager living from a vegetable garden and hoping to make a profit on newly planted palm seedlings. Dad is gone on business, with almost no communication, for months; a neighbor who rides on Lara's school bus is a cruel bully. Grieving for her mother, Lara at first receives scant comfort except from Thunderwith, a dog she encounters in the hills. In time, she also makes friends with a sympathetic aboriginal storyteller, while her new siblings, one by one, come to love her. Even Gladwyn—revealed to have had a loveless upbringing that, added to relentless work and long separations from Dad, has left her stern and unyielding—finally comes around, but not until after Thunderwith's tragic death. The fine range of believable characters and authentic detail here make up for the several rough spots and loose ends: e.g., Dad's absence is inadequately explained, and the dog doesn't come to life enough to make Lara's attachment to him seem vital. Still, a well-written, absorbing debut. (Fiction. 12+)

Pub Date: May 1, 1991

ISBN: 0-316-35034-6

Page Count: 214

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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