A familiar but action-packed whodunit.
A bar owner takes on the role of detective in the first installment of Kirsch’s (The Big Job, 2018, etc.) new mystery series.
Janet Black is the proprietor of a friendly neighborhood bar in Knoxville, Tennessee, called the Spot. She loves the place, but she finds that managing it presents some challenges; for example, it appears that one of her employees has been stealing from the register, and she’s focused on finding the culprit. Then one day, she discovers a dead body behind the bar. It’s Ike Freeman, a formerly troublesome regular. The police attempt to pin the murder on Janet’s sexy boyfriend, Jason, a security expert with a juvenile criminal record for computer hacking. To clear his name, Janet decides to do a little digging on her own. It also turns out that Ike had a rough past in which he left a trail of destruction. Then one of Janet’s employees, who likely has knowledge of the crime, disappears—and so does Jason. She later finds evidence of police corruption, and when another body turns up in the bar, Janet escalates the investigation further; she eventually gets all the suspects together in one room—a move reminiscent of Agatha’s Christie’s legendary detective Hercule Poirot. Kirsch’s witty whodunit includes plenty of red herrings and a long list of potential suspects with plausible reasons to commit murder. The protagonist, a minor character from the author’s Stella Reynolds series, is a little rough around the edges, but readers will find her to be likable enough to carry her own story. She’s sharp, she swears, and she’s not always right, but she does everything with an appealing sense of humor. This novel doesn’t break any new ground; it’s a light, cozy mystery with a charismatic female lead and a quirky cast of characters, including a handsome love interest in the background. However, it’s excellent escapist entertainment.
A familiar but action-packed whodunit.Pub Date: Sept. 12, 2018
ISBN: 978-0-9969350-8-1
Page Count: 246
Publisher: Sunnyside Press
Review Posted Online: July 13, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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