Recommended for readers with autism who will feel genuinely seen and for those desiring to see others more clearly.

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CAN YOU SEE ME?

A girl with autism confronts the terrors of sixth grade.

Eleven-year-old Tally is fierce, brave, funny, and kind; but she also wants desperately to fit in, so she keeps her autism secret from her new classmates at Kingswood Academy. But the harder she tries to act “normal,” the more the bullies call her “weirdo” until even her friends start to pull away. Tally’s story—based on Scott (herself 11 and autistic) and co-written with the neurotypical Westcott—shines with authenticity. Even the lengthy “Autism Facts” in Tally’s interspersed diary entries avoid didacticism via their un-self-conscious honesty. The deceptively simple prose sticks tightly to Tally’s point of view, conveying her courage and quirky charm while rendering with painful acuity her struggles with anxiety and sensory overload. It also portrays compassionately the sometimes-stressful effects of her particular needs and odd-seeming behaviors on her loving, supportive family. There are no villains here: Her teachers are (mostly) receptive and sympathetic, and even the bullies come off as more clueless than cruel. Nor is there any magic resolution: Tally’s situation may improve but only at the cost of her privacy; and her social relationships remain tentative. Instead, her triumph comes in her resolve to present as her own unique, different “normal.”

Recommended for readers with autism who will feel genuinely seen and for those desiring to see others more clearly. (Fiction. 9-12)

Pub Date: March 3, 2020

ISBN: 978-1-338-60891-5

Page Count: 368

Publisher: Scholastic

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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