Next book

I AM DARN TOUGH

A tender introduction to the discipline and community that running provides its athletes.

A runner’s high is an exhilarating mix of relief and tenacity.

Running is largely a solitary and quiet activity, combining muscle memory and mental strength. A race puts this book’s protagonist, who has light-brown skin and straight, black hair in a ponytail, together with other runners; all present female. She lines up at the start, runs at her own pace, and finishes strong. Her friends and teammates, a merry band of casually diverse girls, are supportive, yet the text understands that the girl’s race is hers alone. What Morelli and Diaz do remarkably well is show what the girl thinks about and sees with each step and how that fuels her to keep going and not give up. Diaz’s illustrations prove that anyone who runs has a runner’s body; the stereotypical vision of what a runner looks like is a misconception. In the middle of the book are two illustrations that leave lasting impressions: The first abruptly ends the soft images seen heretofore when the girl falls and scrapes her knee; a stark, almost aggressive smear of blood is rendered with sharp, jagged lines. In the second, the girl breaks the fourth wall and stares out at readers. Her gaze is so straightforward and penetrating that it’s almost startling, yet it feels simultaneously compelling, daring readers to look away first. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 48.6% of actual size.)

A tender introduction to the discipline and community that running provides its athletes. (Picture book. 5-8)

Pub Date: Sept. 1, 2020

ISBN: 978-0-88448-780-7

Page Count: 32

Publisher: Tilbury House

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

Next book

A BIKE LIKE SERGIO'S

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...

Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.

This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)

Pub Date: Oct. 4, 2016

ISBN: 978-0-7636-6649-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Next book

THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

Close Quickview