A respectably ambitious but unfocused debut novel.
An experimental work of fiction that eventually focuses on characters in the orbit of an eating-disorder treatment center.
The book begins with a biblical prologue in Jerusalem in 985 B.C.E. featuring King David of Israel before quickly jumping onboard the ship Confessions that’s en route to Portugal in 1431. The captain is searching for his daughter, Aria, who created the “sacred book belonging to royalty,” the Fleurs de Lys. Shortly thereafter, the story focuses on Bird, a weathered woman who lives in a graveyard. These characters are never brought up again after the scene switches to the City of Roses eating-disorder clinic in the Canadian community of Rockland in 1998, run by a woman named Maggie. One day at the clinic, caregiver Carla roughly attempts to feed a patient; when her new co-worker, Erin, sees this, the latter accuses the clinic of force-feeding. Erin goes on to write a newspaper story about City of Roses that eventually results in the clinic’s shutdown. Maggie’s daughter, Gabrielle, later writes a book about the clinic that’s made into a movie; the deceased Ebony Velvet was a former patient there, and Maggie’s determined to share her story. The next section focuses on Ebony’s experience in the hospital;she has a baby whomshe names Snowflake Princess, aka Ivory, who’s the central character of the remainder of the work. There’s definite promise in Street’s prose, as she has a knack for poetic description: “When kindness would rule as a queen, the night would be star-thick, spelling joy from one generation to the next.” At times, though, the highly detailed writing feels somewhat stilted and awkward: “When Ebony tried not to listen, Chloe spoke. She carried a black Bible. Ebony felt helpless to change her.” Overall, the execution of the story is uneven, as the earlier sections don’t tie into the later parts and feel more like separate stories; it’s unclear what the author’s attempting to do or say with this unusual structure. The work has potential, but it would have benefited from more straightforward organization.
A respectably ambitious but unfocused debut novel.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: March 9, 2021
Review Program: Kirkus Indie
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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