Not only is Margot experiencing an identity crisis, the book is too.



A Puerto Rican teenager spends the summer working in her father’s South Bronx supermarket, where she experiences myriad unfortunate developments.

Margot Sanchez is being punished for stealing her father’s credit card by working at Sanchez & Son’s Supermarket. Accustomed to the whitewashed scenery of Somerset Prep, the brown-skinned teen now has to put up with her older, violent brother who lost his wrestling scholarship and got kicked out of school. Margot's machista dad oversees the store, while her submissive mother stays at home. With secondary and tertiary characters aplenty, turbulent relationships abound at the workplace, among friends and family, and threaten a gentrifying neighborhood. As seen through narrator Margot’s eyes, the characters are often unapologetically, stereotypically flawed: the men are macho or players; the rich, white youth are privileged and usually ignorant; the Latinas are mostly sassy and full of attitude, but at other times they are submissive. In this coming-of-age novel, Rivera touches on countless problems: trust issues, family grief and disappointment, domestic violence, verbal abuse, socio-economic woes, love affairs, a neighborhood undergoing gentrification. Rather than delving into these issues, readers are flung from one plot point to the next, as if running through a checklist of conflicts: drunken sex, drugs, violence, theft, lies. Unitalicized Spanish and Puerto Rican colloquialisms are generously woven into the text, as are slurs in both English and Spanish.

Not only is Margot experiencing an identity crisis, the book is too. (Fiction. 14 & up)

Pub Date: Feb. 21, 2017

ISBN: 978-1-4814-7211-1

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 26, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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Many teen novels touch on similar themes, but few do it so memorably.

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Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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An emotionally engaging closer that fumbles in its final moments.


From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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