Elliot heads to a genius camp under a pseudonym to win a scholarship.
Narrator Elliot Gabaroche, 17, has two choices after high school: follow in the footsteps of her mom and enlist or appease her lawyer dad and stepmom with a “practical” degree at a school near her Sacramento home. But Elliot wants to go to Rayevich College to study science fiction. Ingenious Elliot rechristens herself Ever Lawrence and absconds to Oregon for a competitive summer camp at Rayevich. The prize? A full scholarship. There, Ever’s unpleasantly surprised to discover her loathed cousin, Isaiah. Ever and Isaiah pretend to be twins, and an Importance of Being Earnest–esque comedy of hidden identities ensues. The refreshingly racially diverse cast (Ever and Isaiah are black, and other campers are people of color) of nerdy geniuses are serious geeks, and references to fandoms and sci-fi authors abound. Ever’s in paradise in the library’s sci-fi special collection, which doubles as a rendezvous spot with her adorkable love interest, white Brandon. But even though tall, athletic Ever excels, her cover is invariably blown. Further uncovered hidden identities bring the book to a close with an unexpected, but happy, twist. Smart, strong, and confident, Ever is a likable protagonist who doesn’t fall into tired tropes and stereotypes, and fans of The Only Thing Worse Than Me Is You (2016) will joyfully greet the return of major characters.
Good geeky fun. (Fiction. 14-adult)Pub Date: Nov. 21, 2017
ISBN: 978-1-250-14210-8
Page Count: 320
Publisher: Wednesday Books
Review Posted Online: Aug. 12, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
20
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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PROFILES
Many teen novels touch on similar themes, but few do it so memorably.
11
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Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.
Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.
Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)Pub Date: Jan. 6, 2015
ISBN: 978-0-385-75588-7
Page Count: 400
Publisher: Knopf
Review Posted Online: Oct. 1, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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