Occasionally clichéd, occasionally maudlin, but, overall, candid, thoughtful, and compelling.
The mother of renowned cyclist Lance Armstrong tells her own story, looking back on years filled with childhood poverty, teenage pregnancy, a disapproving mother, an alcoholic father, workplace hurdles, abusive husbands—and lots of love flowing to and from her son.
Fifty-year-old Kelly (the name she took from her current husband, number four) grew up in Dallas housing projects without amenities. She performed well in the classroom and in extracurricular activities, however, until becoming involved with one of the fast guys. Pregnant at 16, giving birth to Lance at 17, Kelly convinced the biological father to marry her. But he was frequently irresponsible and restless, eventually leaving his wife and son. Without any college education, Kelly struggled to find secretarial jobs that would pay the bills, and, after years of proving herself in the workplace, she became a telecommunications company executive with vast responsibilities. Proving herself in the world of marriage turned out to be harder. Husband number two was an abusive philanderer. Number three was considerate but lost job after job because of alcoholism. Only after Lance Armstrong achieved fame and wealth as a world-class athlete did Kelly find the quality husband she had been seeking for decades. Working with professional writer and cancer survivor Rodgers (Bald in the Land of Big Hair, 2001), Kelly touches hearts and minds in chapter after chapter. This is especially true when she recounts how she helped Lance beat life-threatening testicular cancer diagnosed when he was 25. Then she cheered him through his recovery until he won the Tour de France for a record sixth time. Some of the story has been told by Armstrong in It’s Not About the Bike. But most of the material is fresh. Toward book’s end, the saga moves to a new generation, now that Kelly is grandmother to Lance’s children.
Occasionally clichéd, occasionally maudlin, but, overall, candid, thoughtful, and compelling.Pub Date: April 5, 2005
ISBN: 0-7679-1855-X
Page Count: 288
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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