Whipping, wild wind calls a grandmother and her grandson out-of-doors into the frenzied, fantastic fray with a kite and giddy grins.
Electric colors (cerulean blues, emerald greens, brilliant magentas) evoke the kinetic energy that crackles before a storm and the irrepressible excitement a good squall brings out in young and old. Who really feels gray and dreary right before a proper storm? Cheerful, phosphorescent illustrations stretch across double-page spreads, with the boy’s flapping kite, the salty seaside town, its beach and white-capped ocean all bending to the wind’s howl. The artwork’s consistent slant creates a joyously cockeyed perspective that conveys the madcap glee of the grandmother and grandchild’s pre-storm surge through their neighborhood. Young readers race alongside them, pausing to scan each scene for the bustling activities of others: a boatman’s wave, a bundled baby, a leaping dog, a bride and groom emerging from the chapel. The wind whirls all around these townsfolk and through the book’s exhilarating verse too—metronomic and as succinct as the heartbeat throbbing in the cold ears of a child racing back to his dry house: “Trees dance. / Spiders curl. / Mice shiver. / Leaves swirl.”
Gale-force gusts of invigorating artwork and imagery will leave readers breathless in windswept wonder. (Picture book. 2-6)Pub Date: Feb. 25, 2015
ISBN: 978-0-399-16015-8
Page Count: 32
Publisher: Putnam
Review Posted Online: Dec. 6, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Categories: CHILDREN'S FAMILY | CHILDREN'S SCIENCE & TECHNOLOGY
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BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
This celebration of cross-generational bonding is a textual and artistic tour de force.
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A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.
CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.
This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)Pub Date: Jan. 8, 2015
ISBN: 978-0-399-25774-2
Page Count: 32
Publisher: Putnam
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Categories: CHILDREN'S FAMILY | CHILDREN'S TRANSPORTATION
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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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