A debut tale about a 1950s southern airhead. All heart and whimsy, Lila Mae Wooten sets off from Kentucky to drive to California with her four kids in a 1953 Packard (plus a trailer packed with furniture), and on the way gets into all sorts of relatively harmless mischief more typical of a sitcom with tinny laugh track than a well-rounded novel. She’s in no hurry to join her husband Roy, already in California. She wants to see the sights along legendary Route 66 and get there in her own sweet time. Life’s not been easy, Lila Mae suggests: they—ve written some bad checks and now creditors are on their tail; she’s been treated for an unspecified cancer; and a business deal of Roy’s has gone sour. But Lila Mae’s a trooper. Her eldest daughter, teenager Becky Jean, is the family worrier—and realist—who frets as her mother befriends gas attendants and waitresses; detours through Mississippi and Texas; and then, heading west, and running short of money, offers a ride to talented Native American jewelry-maker Juanita Yellowstone. Juanita, with pyromaniac son Benny in tow, wants to visit daughter Rosita, who’s in an iron lung in a Minnesota hospital. The family insists on first seeing the Grand Canyon, but then, taking Benny’s advice to follow a secret route, lands on the edge of a precipice, where they burn Lila Mae’s furniture to keep warm. Abruptly the story cuts from a real cliffhanger to the present, as Lila Mae, now widowed and (inexplicably) well-off in Los Angeles, muses about her now-grown children and Juanita’s success. Supposedly life’s gotten better, but Lila Mae’s current condition seems as arbitrarily determined as all her other previously ill-chosen adventures. Comedy, both light and dark, strained to breaking point in a novel as aimless as poor old Lila Mae’s wanderings. Not funny, not fun—in truth, dreadful.

Pub Date: Jan. 1, 1999

ISBN: 0-525-94453-2

Page Count: 272

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1998

Did you like this book?



A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Did you like this book?

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2017

  • New York Times Bestseller

  • IndieBound Bestseller


This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

Did you like this book?