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GIDEON THE CUTPURSE

A breathlessly paced adventure takes two modern kids back in time to England, 1763, where they must cope with such varied difficulties as 18th-century clothing and a host of implacable evildoers. When Peter and Kate, thrown together by chance, pop out of thin air in 1763 along with the anti-gravity machine that brought them there, they are lucky to do so in front of Gideon. Less luckily, the anti-gravity machine is immediately stolen by the Tar Man, king of London’s cutthroats, and Gideon’s erstwhile colleague. Readers may feel let down when they meet the title character, who, far from being the promised villain, has reformed his wicked ways and vows to help Peter and Kate get home. Buckley-Archer spins a rip-roaring tale replete with the raw details of life in the 18th century, including those of highwaymen, chamber pots and ghastly food like tripe. While the kids’ adjustment to their new time, if reluctant, is well-nigh miraculous in its ease, the story compensates with nonstop action, appealing secondary characters and healthy dollops of humor, all of which will have readers panting for the sequel. (Fiction. 10-14)

Pub Date: July 1, 2006

ISBN: 1-4169-1525-7

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2006

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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THE SEVENTH MOST IMPORTANT THING

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)

Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.

Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.

Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)

Pub Date: Sept. 8, 2015

ISBN: 978-0-553-49728-1

Page Count: 288

Publisher: Knopf

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 1, 2015

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