Next book

FIRE ON THE WIND

It's August 1933 in the great forests of central Oregon, and it is so hot and dry at the Blue Star logging camp that Storie Faye, eighth grader, can't blow out a match—it keeps relighting itself. A fire starts and at first folks aren't too worried, but tension mounts as new fires pop up. Loggers turn into firefighters, until the fires come together, creating an 18-mile-long wall of flame, and getting out alive is all that matters. At the center of this drama is Storie, torn between the worlds of the camp, where her father is a logger, and town, where the schooling could lead to college. In the crisis, she begins the painful process of questioning her lifelong assumptions. Crew (Nekomah Creek, 1994, etc.) has a keen eye for the small details that make a character live and breathe. The dialogue is peppered with colorful logging language; in fact, most of the fine characterization is developed through conversation, giving the story a rare, consuming immediacy. Storie, her family, and neighbors jump off the page to tell their tale, and what a story it is. (Fiction. 12+)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32185-6

Page Count: 198

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1995

Awards & Accolades

Likes

  • Readers Vote
  • 40


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

Awards & Accolades

Likes

  • Readers Vote
  • 40


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview