Fairstein’s latest is as generously plotted as ever, with a series of fascinatingly grim locales that suit her gifts...
An explosion far beneath Manhattan’s surface turns prosecutor Alexandra Cooper’s ninth case (Death Dance, 2006, etc.) into a free-for-all with roots sunk deep in the bedrock of the past.
Did Brendan Quillian strangle his wealthy wife, Amanda, who’d been making serious noises about leaving him, so that he could keep her money and his management job with her late father’s real-estate empire? Lemuel Howell III, Brendan’s silky attorney, insists that his client will be vindicated, and his cross-examination of Alex’s first few witnesses certainly seems to justify his confidence. But the case is rocked by a blast in Water Tunnel #3, a construction project 60 stories underground designed to bring water to an increasingly thirsty New York—a blast that kills Brendan’s brother Duke, a sandhog who worked there. Alex, who had never given Brendan’s family of working-class Irish immigrants a second thought, is suddenly wrapped up in their dirty laundry. There’s news from Brendan’s sister Trish of a long-simmering feud between the Quillians and the Hassetts, who toiled alongside them in Tunnel #3. There’s the revelation that 20 years ago, Bex Hassett, Trisha’s best friend, was strangled in Pelham Bay Park during Brendan and Amanda’s honeymoon. And a macabre new detail has surfaced: Somebody cut off Duke’s finger before the explosion finished him. Before Alex can fit Amanda’s murder into this decades-long pattern of violence and hatred, a courtroom surprise sends the case hurtling off in still another direction, and the only certainty is that it’ll end deep in the bowels of New York’s tunnel system.
Fairstein’s latest is as generously plotted as ever, with a series of fascinatingly grim locales that suit her gifts perfectly—even if she can’t resist whispering historical sidelights into your ear with every change of scene.Pub Date: Jan. 16, 2007
ISBN: 0-7432-8748-7
Page Count: 416
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2006
Catchy title; too bad the psychothriller behind it—despite the publisher's big push—is a mostly routine tale of cop vs. serial-killer. And it's really too bad for Patterson (The Midnight Club, 1988, etc.) that William Diehl's new thriller, Primal Fear (reviewed above), covers some of the same territory with superior energy and skill. A few charms lift this above run-of-the-mill: Patterson's hero, D.C. psychologist/cop Alex Cross, is black, while his lover, Secret Service honcho Jezzie Flanagan, is white; and the narrative moves briskly by cutting between Cross's ambling account and a sharper third-person tracking, mostly of the killer's movements. He is Gary Soneji—a nobody living a deceptively quiet life as Gary "Murphy"—who has killed 200 people and now wants to commit the Crime of the Century and become Somebody: Soneji/Murphy snatches the daughter of a top actress and the son of the US secretary of the treasury. Enter Cross and Flanagan, whose bad luck at finding kids and kidnapper—who, taunting the cops, kills an FBI agent and gets away with a $10-million payoff, while one of the kids turns up dead—changes only when Soneji/Murphy, cracking up, holds hostage to a McDonald's and is wounded by a cop. Here, Patterson's tale begins to mirror Diehl's: Soneji/Murphy turns out to suffer from the same sensational psychosis as Diehl's villain; and in the ensuing trial, Soneji/Murphy's lawyer pursues a defense similar to that of Diehl's attorney-hero. But where Diehl's villain roars on the page, Soneji/Murphy barely smirks; and while Diehl's courtroom crackles with intelligence, Patterson's is almost transcript-dull. Patterson does wind up, however, with a fine noir twist. Cross is a likable hero, but with a watery plot and weak villain—Hannibal Lecter would eat Soneji for breakfast—he doesn't have much to work with here.
Pub Date: Feb. 1, 1993
ISBN: 0-316-69364-2
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
BOOK TO SCREEN
Like a popcorn action flick: fun but lacking in substance.
Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).
Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.
Like a popcorn action flick: fun but lacking in substance.Pub Date: Feb. 25, 2020
ISBN: 978-1-4926-9775-6
Page Count: 384
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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