Avoiding both the surfeit of personal chitchat and the whispers of international intrigue that have marred several of Alex’s...
A pair of hot cases carry Alexandra Cooper from her bailiwick as head of Manhattan’s Sex Crimes Prosecution unit back to a past series of crimes—and the distant past of an American literary giant.
According to DNA samples recovered from the scene of a brand-new assault on a Swedish student, the Silk Stocking Rapist, who’s been quiet for five years, is at it again. But the strangling of freelance writer Emily Upshaw with an actual silk stocking, decides Alex, must be the work of a copycat. Even before she’s begun the fight to persuade her boss to file an indictment of John Doe as the Silk Stocking Rapist lest the statute of limitations wipe his slate clean, Alex is faced with a Jane Doe: a skeletal corpse immured alive in a downtown tenement that NYU is bulldozing. The victim was evidently walled up alive in the Poe House some 25 years ago, in a manner strongly reminiscent of its one-time tenant’s horror classic “The Cask of Amontillado.” Readers asking what John and Jane Doe have to do with each other haven’t been paying attention to Alex’s six earlier adventures (The Kills, 2004, etc.). Instead of stooping to the easy task of picking holes in the logic or plausibility of a pair of boldly plotted investigations that entangle Poe’s memory and methods in unnerving new chapters of violence, they’re advised to sit back, buckle up, and enjoy the torrent of crime scene detail, Poe allusions large and small, and anecdotes about sundry lesser crimes before the two headline cases go their separate ways.
Avoiding both the surfeit of personal chitchat and the whispers of international intrigue that have marred several of Alex’s earlier cases, Fairstein delivers half a great suspense novel and an honorable attempt at a second half for her best outing since Alex’s strong debut in Final Jeopardy (1996).Pub Date: Jan. 4, 2005
ISBN: 0-7432-5488-0
Page Count: 416
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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