Above average for this bestselling series, though not up to the mark of Hell Gate (2010).
Alexandra Cooper, the ADA who heads Manhattan’s Special Victims unit, tackles yet another series of crimes that have nothing to do with sex but a great deal to do with gender.
The first victim is left outside Harlem’s Mount Neboh Baptist Church. Even before her head is discovered outside the Cathedral of St. John the Divine, she’s identified as activist Naomi Gersh by her arrest record. Any hope that the obviously planned and ritualistic killing would be a one-off is dashed when Ursula Hewitt, who was excommunicated upon being ordained as a Roman Catholic priest, is found outside Old St. Patrick’s Church with her tongue cut out. There’s little to be learned from Naomi’s kid brother Daniel, who disappears soon after he’s questioned by Cooper and Det. Mike Chapman, and not much more from Faith Grant, an Episcopal priest at Union Theological Seminary with links to both victims. But there’s every indication that the murderer has already struck at least twice more, claiming as victims a female pastor in Kentucky and a gay Pentecostal minister in Georgia. All the while Cooper is struggling to figure out why someone wants to silence religious mavericks and pariahs, she has to deal with two other hot-button cases as well: a prep school student’s unsupported accusation that she was raped by another student, and a charge of clerical sex abuse that heats up even further when Cooper’s withering cross-examination of Bishop Edward Deegan, a character witness for the defense, is observed by a ponytailed wraith who just might be the killer. The obligatory Cook’s Tour of New York’s religious sites and their backgrounds recalls Margaret Truman at her most tiresomely didactic, and the set pieces, especially the climactic confrontation with the killer, are overextended and creaky. The detection, however, is first-rate, and many of the daggers Fairstein hurls at organized religion’s systematic disempowering of women find their mark.
Above average for this bestselling series, though not up to the mark of Hell Gate (2010).Pub Date: March 8, 2011
ISBN: 978-0-525-95202-2
Page Count: 400
Publisher: Dutton
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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