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LOVE, DEATH, AND THE ART OF COOKING

An unconvincing mystery and love story despite some engaging conversation.

A new guy in town gets tangled up in a murder plot in this contemporary romance.

On Reid Lucas’ first day in a new town, police arrest him for driving under the influence. He uses his phone call to contact a woman he knows named Jane, but instead, he gets her roommate, Alyssa. He talks her into bailing him out, and to make it up to her, he cooks dinner for her, revealing that he’s moved to town for a software engineering job. Alyssa is a cop in the process of getting her marriage annulled. Their relationship might have ended there if not for a shooting at Reid’s new office; Reid is a suspect, but Alyssa is his alibi. They strike up a friendship, and Reid helps Alyssa with an altercation with her soon-to-be ex-husband; she’s grateful for his help, and they later sleep together. A vague possibility that someone wants to kill Reid, but killed his boss by mistake, hangs over the proceedings. When Reid loses his job, he must decide whether to stay in town or move back to Chicago. Alyssa is starchy and judgmental, and although overcoming trust issues is a common romance trope, Alyssa comes off as unsympathetic at times because she’s so humorless. She’s also religious, which makes it curious that she’d be so attracted to Reid, who seems to think marriage vows are merely suggestions. The pair just don’t seem to have much in common, so the story’s conclusion feels forced. Meanwhile, the story’s detectives are almost comically bad at their jobs, jumping to unfounded conclusions about Reid that keep getting him in trouble. Ultimately, the murder plot takes a back seat to the romance and, indeed, is finally solved off-page. The prose is smoothly written, with bits of snappy dialogue, as when Jane asks Reid if chopping onions makes him cry: “ ‘Not if you know the trick,’ he said. ‘Is it a secret?’ ‘Oh, I have lots of secrets,’ he assured her.”However, the plot is messy and illogical and doesn’t entirely hang together.

An unconvincing mystery and love story despite some engaging conversation.

Pub Date: Aug. 16, 2021

ISBN: 978-1-5092-3777-7

Page Count: 264

Publisher: Wild Rose Press

Review Posted Online: Aug. 20, 2021

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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BLACKTHORN

If you like your romance the darker the better, this one is for you.

A young mother returns to the gothic manor of her childhood to dust off the family secrets and face her old flame.

Maven Blackthorn hasn’t been home since her mom died under suspicious circumstances 12 years ago, but the death of her grandmother, Lorinda, forces her return to Solstice, Vermont. Maven’s daughter, Beatrix, has never seen where her mother grew up, but she quickly learns the Blackthorns have a reputation for witchcraft, largely fueled by a centuries-long feud with the powerful Croft family, whose heir apparent, Ronan, was Maven’s forbidden teenage love and “worst nightmare.” Maven hopes to bid farewell to her grandmother and visit with her aunts without running into Ronan, but he proves hard to avoid. Maven’s hatred for Ronan runs deep and she believes the feeling is mutual. From Ronan’s perspective, it’s clear their painful unraveling was full of misunderstandings. When Lorinda’s body goes missing from the funeral home, Maven is forced to accept Ronan’s help in discovering what happened. While Maven dives into her family history and the many unfortunate events befalling Blackthorn women, Ronan is forever in her ear, seducing her back to him. The push and pull of their romance feels immature, which isn’t helped by the first-person present narration. At times, it’s easy to forget Maven and Ronan aren’t still teenagers, until the erotica is punched up a thousand percent in the final third. Controlling lines from Ronan like “Don’t test my patience, woman” might read better if his perspective were explored more, though fans of Geissinger’s dark erotica, including Brutal Vows (2025), may not be fazed. Maven’s perspective dominates, and though her investigation into family lore and increasing paranoia are the most compelling arc, the million and one ways in which she threatens Ronan with physical violence—“What I really want to do is tie you to a tree, disembowel you with my bare hands, feed your guts to the wolves, and cut off your head”—is a bit one-note. Trigger warnings abound.

If you like your romance the darker the better, this one is for you.

Pub Date: Nov. 4, 2025

ISBN: 9781250379139

Page Count: 368

Publisher: Bramble Books

Review Posted Online: Sept. 13, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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