edited by Linda Landrigan ‧ RELEASE DATE: June 15, 2006
The only pleasure this doorstop-sized package doesn’t deliver, in fact, is a surer sense of AHMM’s particular cachet. But...
Thirty-four stories culled from Alfred Hitchcock’s Mystery Magazine, the venerable monthly that’s played second fiddle to Ellery Queen’s Mystery Magazine for half a century.
Why are anthologies of reprints so often more rewarding than collections of new material? Partly because, as editor Landrican puts it, “50 years is a lot of stories.” With hundreds of entries to choose from, it’s easy to skip mediocre competitors in favor of Edward D. Hoch’s impossible defenestration “The Long Way Down” and Steve Hockensmith’s farewell-to-the-force, “Erie’s Last Day.” Partly because there’s a particular pleasure in savoring great names from the past like Jim Thompson and Charles Willeford or reminding yourself that classics like Lawrence Block’s “A Candle for the Bag Lady” and Sara Paretsky’s “The Takamoku Joseki” first saw the light in AHMM, creating a mutual glow by association. Partly because only a collection of oldies can resurrect forgotten gems like Ed Lacy’s neatly turned “The ‘Method’ Sheriff” and Stephen Wasylyk’s “The Search for Olga Bateau,” in which a hard-bitten reporter is softened by an unsolved case from the past. And partly for the thrill of rediscovering early stories by Bill Pronzini, Doug Allyn and S.J. Rozan before they hit the big time.
The only pleasure this doorstop-sized package doesn’t deliver, in fact, is a surer sense of AHMM’s particular cachet. But maybe that lack of any specific house style is its greatest strength.Pub Date: June 15, 2006
ISBN: 1-933648-03-1
Page Count: 560
Publisher: Pegasus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
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by Carlene O'Connor & Maddie Day & Alex Erickson ‧ RELEASE DATE: Sept. 24, 2019
Three quick, enjoyable reads to get you in a murderous Christmas spirit.
Three familiar sleuths each get a turn in this trio of cozy Christmas mysteries.
First, O’Connor (Murder in Galway, 2019, etc.) dives into Siobhán O’Sullivan’s past. Just graduated from the Garda College and not due to report for duty until the New Year, she’s busy preparing for Christmas when she sees a sign advertising a missing dog and links the disappearance to that of her own family dog and others around town. When the town Santy, Paddy O’Shea, is discovered floating dead in a dunk tank he’s filled with hot chocolate, all the missing dogs are also found, waiting in vain to be part of his extravagant show. Now Siobhán must help catch Santy's killer. Next up, Day (Strangled Eggs and Ham, 2019, etc.) presents South Lick, Indiana, cafe/country store owner Robbie Jordan, whose boyfriend Abe’s father, Howard O’Neill, has secretly acquired Cocoa, a rescued Lab puppy, as a Christmas gift for Abe’s son, Sean. When Howard’s business associate, Jed Greenberg, is found dead on an icy sidewalk, tangled in Cocoa’s leash, it turns out to be murder. Though Jed had plenty of enemies, Howard is a particularly choice suspect because he’d just learned that Jed had cheated him in a business deal. In the final tale, Erickson (Death by Café Mocha, 2019, etc.) features cafe/bookstore owner Krissy Hancock, a locally renowned sleuth who reluctantly accompanies her friend Rita Jablonski to a remote warehouse, where Lewis Coates, whose attention to detail is obsessive, has installed an escape room. Each member of the small group is given their own room whose door code they must determine from cryptic clues. They all manage to escape to a large locked room where they find the corpse of Coates. A prick Krissy finds on his finger and traces to a trick mug strongly suggests that one of the players is also a killer.
Three quick, enjoyable reads to get you in a murderous Christmas spirit.Pub Date: Sept. 24, 2019
ISBN: 978-1-4967-2360-4
Page Count: 320
Publisher: Kensington
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Carl Hiaasen ‧ RELEASE DATE: Sept. 6, 2016
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.
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Rejoice, fans of American madness who’ve sought fulfillment in political reportage. South Florida’s master farceur (Skink—No Surrender, 2014, etc.) is back to reassure you that fiction is indeed stranger than truth.
Even though a prefatory note indicates that both the come-hither title and the stuff about giant Gambian pouched rats are rooted in reality, no one but Hiaasen could have dreamed up the complications arising from the collision of Merry Mansfield with talent agent Lane Coolman—a literal collision, since she rams his rented car while shaving her bikini area in the driver's seat of a Firebird. Make that multiple collisions, since Lane turns out to be only the latest victim of Merry and her partner Zeto’s kidnap-for-hire schemes. In this case, he’s the wrong victim, mistaken for beach-replenishment contractor Martin Trebeaux, whose swindling has put him on the wrong side of Calzone crime family capo Dominick "Big Noogie" Aeola. Since Coolman’s being held captive, he can’t be on hand to walk his client Buck Nance, the reality star of Bayou Brethren, though a personal appearance at the Parched Pirate, and Buck goes off script into a racist rant that sparks a demonstration and sends him fleeing, though he's still capable of inspiring Benny Krill, a murderous apprentice racist who dreams of joining him on his show. After laboring in vain to persuade Jon David Ampergrodt, his boss at Platinum Artists Management, as well as Merry and Zeto that he’s worth ransoming, Coolman escapes, but it doesn’t matter: he’s still confined in the zoo that’s Key West, where liability lawyer Brock Richardson’s fiancee loses the $200,000 ring he didn’t bother to resize after his fatter former fiancee returned it, and when his neighbor, health inspector Andrew Yancy, discovers it, he hides it in the hummus in the hope that an indefinite search for the bauble will stall Richardson’s plan to build a McMansion that will obstruct Yancy’s sea view. Etc. How can Hiaasen possibly tie together all this monkey business in the end? His delirious plotting is so fine-tuned that preposterous complications that would strain lesser novelists fit right into his antic world.
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.Pub Date: Sept. 6, 2016
ISBN: 978-0-385-34974-1
Page Count: 352
Publisher: Knopf
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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