The only pleasure this doorstop-sized package doesn’t deliver, in fact, is a surer sense of AHMM’s particular cachet. But...
Thirty-four stories culled from Alfred Hitchcock’s Mystery Magazine, the venerable monthly that’s played second fiddle to Ellery Queen’s Mystery Magazine for half a century.
Why are anthologies of reprints so often more rewarding than collections of new material? Partly because, as editor Landrican puts it, “50 years is a lot of stories.” With hundreds of entries to choose from, it’s easy to skip mediocre competitors in favor of Edward D. Hoch’s impossible defenestration “The Long Way Down” and Steve Hockensmith’s farewell-to-the-force, “Erie’s Last Day.” Partly because there’s a particular pleasure in savoring great names from the past like Jim Thompson and Charles Willeford or reminding yourself that classics like Lawrence Block’s “A Candle for the Bag Lady” and Sara Paretsky’s “The Takamoku Joseki” first saw the light in AHMM, creating a mutual glow by association. Partly because only a collection of oldies can resurrect forgotten gems like Ed Lacy’s neatly turned “The ‘Method’ Sheriff” and Stephen Wasylyk’s “The Search for Olga Bateau,” in which a hard-bitten reporter is softened by an unsolved case from the past. And partly for the thrill of rediscovering early stories by Bill Pronzini, Doug Allyn and S.J. Rozan before they hit the big time.
The only pleasure this doorstop-sized package doesn’t deliver, in fact, is a surer sense of AHMM’s particular cachet. But maybe that lack of any specific house style is its greatest strength.Pub Date: June 15, 2006
ISBN: 1-933648-03-1
Page Count: 560
Publisher: Pegasus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.
Rejoice, fans of American madness who’ve sought fulfillment in political reportage. South Florida’s master farceur (Skink—No Surrender, 2014, etc.) is back to reassure you that fiction is indeed stranger than truth.
Even though a prefatory note indicates that both the come-hither title and the stuff about giant Gambian pouched rats are rooted in reality, no one but Hiaasen could have dreamed up the complications arising from the collision of Merry Mansfield with talent agent Lane Coolman—a literal collision, since she rams his rented car while shaving her bikini area in the driver's seat of a Firebird. Make that multiple collisions, since Lane turns out to be only the latest victim of Merry and her partner Zeto’s kidnap-for-hire schemes. In this case, he’s the wrong victim, mistaken for beach-replenishment contractor Martin Trebeaux, whose swindling has put him on the wrong side of Calzone crime family capo Dominick "Big Noogie" Aeola. Since Coolman’s being held captive, he can’t be on hand to walk his client Buck Nance, the reality star of Bayou Brethren, though a personal appearance at the Parched Pirate, and Buck goes off script into a racist rant that sparks a demonstration and sends him fleeing, though he's still capable of inspiring Benny Krill, a murderous apprentice racist who dreams of joining him on his show. After laboring in vain to persuade Jon David Ampergrodt, his boss at Platinum Artists Management, as well as Merry and Zeto that he’s worth ransoming, Coolman escapes, but it doesn’t matter: he’s still confined in the zoo that’s Key West, where liability lawyer Brock Richardson’s fiancee loses the $200,000 ring he didn’t bother to resize after his fatter former fiancee returned it, and when his neighbor, health inspector Andrew Yancy, discovers it, he hides it in the hummus in the hope that an indefinite search for the bauble will stall Richardson’s plan to build a McMansion that will obstruct Yancy’s sea view. Etc. How can Hiaasen possibly tie together all this monkey business in the end? His delirious plotting is so fine-tuned that preposterous complications that would strain lesser novelists fit right into his antic world.
Relax, enjoy, and marvel anew at the power of unbridled fictional invention.Pub Date: Sept. 6, 2016
ISBN: 978-0-385-34974-1
Page Count: 352
Publisher: Knopf
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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