Organic chef Watson extols the virtues of living healthfully by combining natural ingredients and thrifty meal planning.

“Eating green doesn’t have to mean eating up all your money,” writes the author. Watson and husband Bruce (both “flexitarians” who eat meat socially) took part in a fascinating experiment during which spending $1 per meal for an entire summer forced them to radically rework weekly menus, intricately budget food purchases and cook from scratch. The first half of the book shares the fruits of that trial period: a “scrimp or splurge” chart listing money-saving alternatives for common kitchen staples, indispensable tips on shopping smarter (watch for sales to get national brands at store-brand prices, scan the Hispanic aisle for equivalents), and the benefits of fresh-freezing, farmers’ markets buying in bulk and composting. Some suggestions are a stretch, like using food scales and buying smaller plates to reduce overeating. Watson’s 7-day, 20-minute cooking plans fall right in step with her smart planning, cooking and shopping strategies. The author organizes menus organized by season: Southern Summer Pesto on high-protein pasta and green beans with Blueberry Pie yields to Harvest Lasagna and Baked Pears with Cinnamon Yogurt Sauce in autumn. The second half of the book, which is disappointingly devoid of photographs, features breakfast offerings like low-salt Better Blueberry Pancakes, Magic Quiche with Asparagus and homemade “Whisk” breads and tortillas. Dinner recipes are curiously sparse, but those seeking a more healthful approach to cooking will appreciate Watson’s family, community and planet-friendly organic lifestyle. A unique addition to the genre, this sustainable take on everyday meal planning is both practical and contemporary.


Pub Date: May 31, 2011

ISBN: 978-0-7382-1468-9

Page Count: 272

Publisher: Da Capo Lifelong

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?



Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?