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LITTLE RED ROLLS AWAY

Designed to address the anxieties moving holds for children, this book is competent and clear.

Little Red, a small barn, is moved from his home, much to his distress.

Red wakes up one morning to find that his friends Bossy Cow, Piglet, and Rooster are missing. It gets worse. Machines rumble in, hoist up Red, and haul him away, first on a flatbed truck and then on a barge. As Red moves farther away from his familiar setting, he feels more and more insecure about where he is going. Whalen neatly describes both the anxiety and the powerlessness Red feels (although her overuse of the rule of three in her patterned repetition of phrases does undermine the story’s freshness). Morris’ vibrantly colored cartoony illustrations depict an anthropomorphic Red, whose expressions as he is carted hither and yon lend gentle humor. The humans depicted are predominantly white, although other ethnicities are shown. Little Red’s journey ends in an amusement park’s petting zoo, as he is reunited once again with his animal friends and “even new friends to get to know!” The story’s overt message is solidified by the last page, titled “How to Help a Child Navigate Change,” by Whalen and Susan Hall, an early-childhood specialist. It gives a brief overview of the anxieties children may feel when encountering change such as a move, with suggestions of how to help.

Designed to address the anxieties moving holds for children, this book is competent and clear. (Picture book. 3-7)

Pub Date: April 15, 2017

ISBN: 978-1-58536-987-4

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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MEI MEI THE BUNNY

A reassuring riff on embracing imperfections.

A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.

Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.

A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)

Pub Date: April 21, 2026

ISBN: 9798217051748

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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HEDGEHOGS DON'T WEAR UNDERWEAR

Sure to have little ones giggling.

Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”

Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.

Sure to have little ones giggling. (Picture book. 3-5)

Pub Date: April 1, 2025

ISBN: 9781250814388

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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