POLAR BEAR ISLAND

Only polar bears are allowed on Polar Bear Island, until Kirby, a friendly, creative penguin, arrives on the scene.

On the verso of the first double-page spread, large white lettering proclaims against an azure sky: “Polar Bear Island was peaceful and predictable. Parker, the mayor, planned to keep it that way.” Below, Parker—paint can in left paw—can be seen facing his sign: “Welcome to Polar Bear Island. No Others Allowed.” On the recto, Kirby floats into view on an ice floe, with hat, scarf, and overstuffed suitcase. When Kirby arrives, Parker grudgingly allows her an overnight stay. However, she soon proves her worth to the other bears; she has invented Flipper Slippers, which keep extremities warm and reverse from skates to snowshoes. Now Kirby is allowed to stay and help the bears make their own Flipper Slippers. When her family shows up with more inventions, Parker feels compelled to give them a week. (Presumably, the penguins have made the 12,430-mile-trip from the South Pole to the North Pole, characterized merely as “a long journey.”) A minor crisis permanently changes Parker’s attitudes about exclusivity. The text is accessible and good fun to read aloud. The weakness of the ostensible theme of granting welcome to newcomers lies in the fact that all the newcomers are immediately, obviously useful to the bears. The cartoonlike, scratchboard-ish graphics are lighthearted and full of anthropomorphic touches.

Good bedtime reading. (Picture book. 3-5)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4549-2870-6

Page Count: 32

Publisher: Sterling

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Exciting artwork paired with disappointingly dull text.

KINDNESS GROWS

Rhyming verses about kindness using a consistent metaphor of widening cracks versus blooming plants are amplified by cutouts on each page.

The art and layout are spectacular, from the cover through the double-page spreads near the end. Racially diverse toddlers are shown engaging in various moods and behaviors, some of which create unhappiness and some of which lead to friendship and happiness. Every page’s color palette and composition perfectly complement the narrative. The initial verso shows two children in aggressive stances, backgrounded by a dark, partly moonlit sky. Between them is a slender, crooked cutout. The large-type text reads: “It all / starts / with a / crack / that we can hardly see. / It happens when we shout / or if we disagree.” The recto shows two children in sunlight, with one offering a pretty leaf to the other, and the rhyme addresses the good that grows from kindness. In this image, the crooked die cut forms the trunk of a tiny sapling. Until the final double-page spreads, the art follows this clever setup: dark deeds and a crack on the left, and good deeds and a growing tree on the right. Unfortunately, the text is far from the equal of the art: It is banal and preachy, and it does not even scan well without some effort on the part of whomever is reading it. Still, the youngest children will solemnly agree with the do’s and don’ts, and they may decide to memorize a page or two.

Exciting artwork paired with disappointingly dull text. (Picture book. 3-5)

Pub Date: Sept. 22, 2020

ISBN: 978-1-68010-229-1

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

OLIVER AND HIS EGG

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

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