A valuable corrective to erasure in climate science history.
A fictionalized account of the life of Eunice Newton Foote (1819–1888), a pioneering but long overlooked climate scientist, inventor, and women’s rights advocate.
Metcalf traces her subject’s early years in a family that nurtured her curiosity, eventually sending her to New York’s only science-focused girls’ seminary, where her roommate was Elizabeth Cady Stanton’s sister. She married Elisha Foote, a lawyer and inventor, who supported her experiments and her fight for gender equality. In 1856, the American Association for the Advancement of Science accepted Foote’s groundbreaking study on greenhouse gases—but demanded a man present it at their convention. Elisha was voted a member of the AAAS; Foote was not. In 1860, English scientist John Tyndall was credited with “discovering” greenhouse gases. Still, Foote carried on, patenting her inventions. A speculative section in which Foote and her daughter Mary travel to Europe and confront Tyndall feels inessential to the narrative. The final chapter describes how, in 2010, retired geologist Raymond Sorenson stumbled upon Foote’s original 1856 report and wrote an article that set the record straight. Although at times her reliance on figurative language feels excessive, Metcalf’s research shines through in the vivid details and contextual information about racial and gender bias surrounding Foote, who was white. This novel in verse effectively illuminates the life of a woman who pursued science despite systemic barriers.
A valuable corrective to erasure in climate science history. (note on quotations, author’s note, family tree, source notes, bibliography, image credits) (Verse historical fiction. 13-18)Pub Date: Feb. 10, 2026
ISBN: 9781623546335
Page Count: 304
Publisher: Charlesbridge Teen
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
PERSPECTIVES
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s...
Poetry helps first-generation Dominican-American teen Xiomara Batista come into her own.
Fifteen-year old Xiomara (“See-oh-MAH-ruh,” as she constantly instructs teachers on the first day of school) is used to standing out: she’s tall with “a little too much body for a young girl.” Street harassed by both boys and grown men and just plain harassed by girls, she copes with her fists. In this novel in verse, Acevedo examines the toxicity of the “strong black woman” trope, highlighting the ways Xiomara’s seeming unbreakability doesn’t allow space for her humanity. The only place Xiomara feels like herself and heard is in her poetry—and later with her love interest, Aman (a Trinidadian immigrant who, refreshingly, is a couple inches shorter than her). At church and at home, she’s stifled by her intensely Catholic mother’s rules and fear of sexuality. Her present-but-absent father and even her brother, Twin (yes, her actual twin), are both emotionally unavailable. Though she finds support in a dedicated teacher, in Aman, and in a poetry club and spoken-word competition, it’s Xiomara herself who finally gathers the resources she needs to solve her problems. The happy ending is not a neat one, making it both realistic and satisfying. Themes as diverse as growing up first-generation American, Latinx culture, sizeism, music, burgeoning sexuality, and the power of the written and spoken word are all explored with nuance.
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s name: “one who is ready for war.” (Verse fiction. 14-18)Pub Date: March 6, 2018
ISBN: 978-0-06-266280-4
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
PERSPECTIVES
SEEN & HEARD
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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