edited by Lindsey Mead ‧ RELEASE DATE: Feb. 5, 2019
Candid, often charming revelations from a host of articulate women.
Fifteen women share their thoughts about life’s transitions.
In her debut book, journalist Mead gathers essays by women in their late 30s to early 50s, reflecting on love, friendship, careers, family, dating, and self-image, among many other issues that have become important as they face a challenging new decade of their lives. Although the editor underscores the “divergent voices” in the collection, the majority of the contributors are white, middle-class, successful writers (one, Sujean Rim, is an illustrator who offers a cartoon about giving up skinny jeans). They do, however, reveal diverse experiences: Meghan Daum, memoirist columnist for the New York Times Book Review, has settled into single life and a fruitful career in Manhattan; still, she feels a “current of constant low-grade shock…about how old I’ve managed to become.” KJ Dell’Antonia, editor of the New York Times’ “Motherlode” column, apologizes for not answering an email message because of the many more important tasks (buying bread, snuggling her son) that occupy her time. Essayist Sloane Crosley assesses the changes in her middle-aged face. Two particularly moving pieces concern friendship: Catherine Newman’s chronicle of the outfits she and her best friend wore, beginning in kindergarten, in 1972, and ending in 2015, when Newman cherishes her friend’s tunics, yoga pants, and Ugg boots after she died of ovarian cancer. “I am wearing my heart on my sleeve,” she writes, “my memories like a crazy quilt of loss.” It took a shattered bone for novelist Allison Winn Scotch, who prided herself on being stubbornly independent, to see that friends and family can be extraordinarily caring, “more worthy than you realized, even when you already found them worthy enough.” The essays are interspersed with brief remarks about the biggest surprise, most important lesson, or most salient mantra gleaned from getting older and, the writers hope, wiser. “Everything looks better, feels better, and is way more manageable in the morning,” offers Lee Woodruff, whose husband’s (journalist Bob Woodruff) roadside bomb injury was the subject of one of her memoirs.
Candid, often charming revelations from a host of articulate women.Pub Date: Feb. 5, 2019
ISBN: 978-1-5011-7212-0
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: Oct. 22, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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