The sinister side of the wellness industry is rich ground for a horror novel, but this debut falls short.
In this debut novel, a former pianist takes a job at a groundbreaking holistic wellness company, where she learns the extent to which her new employers will go to make their privileged clients happy.
The unnamed narrator of the book—who eventually takes the name Anna when her employers claim her given Chinese name is too complicated—is the daughter of immigrants who fled China following the Cultural Revolution. Her parents worked as piano teachers, and when the narrator shows skill at the instrument, they devote their limited time and energy to helping her develop it. That skill eventually lands her a place at the prestigious Conservatory in New York City, where she is shunned by her peers due to her talent and bullied for her lack of wealth. When returning to New Jersey following one of her recitals, her parents are in a devastating car accident that requires they be placed in a care facility, and the narrator stops playing piano to take on minimum wage jobs to pay for their care. But when Saje, the face of the wellness company Holistik, comes into the restaurant where the narrator is working and offers her a job, her life begins to change. Given the most cutting-edge supplements and treatments, the narrator begins to see her own body morph into a Westernized ideal of beauty. But as she becomes more enmeshed in Holistik—becoming friends with the owner's niece, taking on additional tasks that show her parts of the company others don't see—she begins to question the moral core of what they do. This dystopian horror story poses questions about race, wellness culture, privilege, and beauty, but it struggles to do so in a way that provides deep consideration. A lack of setup makes the story hard to follow; the author rushes key aspects, from details such as what gift the narrator is given by a friend to larger considerations such as why a stranger offered the narrator a job on the spot that she accepted without question. Although it will keep the reader guessing, this novel ultimately moves too quickly to provide a satisfactory payoff on the many mysteries it lays out.
The sinister side of the wellness industry is rich ground for a horror novel, but this debut falls short.Pub Date: April 4, 2023
ISBN: 9780593472927
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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