The sinister side of the wellness industry is rich ground for a horror novel, but this debut falls short.
In this debut novel, a former pianist takes a job at a groundbreaking holistic wellness company, where she learns the extent to which her new employers will go to make their privileged clients happy.
The unnamed narrator of the book—who eventually takes the name Anna when her employers claim her given Chinese name is too complicated—is the daughter of immigrants who fled China following the Cultural Revolution. Her parents worked as piano teachers, and when the narrator shows skill at the instrument, they devote their limited time and energy to helping her develop it. That skill eventually lands her a place at the prestigious Conservatory in New York City, where she is shunned by her peers due to her talent and bullied for her lack of wealth. When returning to New Jersey following one of her recitals, her parents are in a devastating car accident that requires they be placed in a care facility, and the narrator stops playing piano to take on minimum wage jobs to pay for their care. But when Saje, the face of the wellness company Holistik, comes into the restaurant where the narrator is working and offers her a job, her life begins to change. Given the most cutting-edge supplements and treatments, the narrator begins to see her own body morph into a Westernized ideal of beauty. But as she becomes more enmeshed in Holistik—becoming friends with the owner's niece, taking on additional tasks that show her parts of the company others don't see—she begins to question the moral core of what they do. This dystopian horror story poses questions about race, wellness culture, privilege, and beauty, but it struggles to do so in a way that provides deep consideration. A lack of setup makes the story hard to follow; the author rushes key aspects, from details such as what gift the narrator is given by a friend to larger considerations such as why a stranger offered the narrator a job on the spot that she accepted without question. Although it will keep the reader guessing, this novel ultimately moves too quickly to provide a satisfactory payoff on the many mysteries it lays out.
The sinister side of the wellness industry is rich ground for a horror novel, but this debut falls short.Pub Date: April 4, 2023
ISBN: 9780593472927
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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