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FEAR THE WORST

Barclay (No Time for Goodbye, 2007, etc.) has written a page-turning thriller that’s intense, compelling and, for the most...

A daughter’s mysterious disappearance thrusts her father into the world of violence and deception that lurks just below the surface of his nondescript Connecticut suburb.

Okay, so maybe the Blakes’ family life hasn’t always been perfect. Tim sells cars for a living and is pretty good at it, but his disastrous attempt at running his own dealership led to a divorce from Susanne. Still, their daughter Sydney seems happy enough while spending the summer with her father, hanging out with friends and working part-time at a local motel. So when Syd fails to appear for dinner one night after getting into a small fight with Tim, everyone assumes she’s just left for a bit to cool off. But when time passes and she still hasn’t returned, her father starts digging around, only to discover that the folks at the motel where Syd worked claim never to have heard of her. Soon a bewildered Tim finds himself in over his head, in trouble with cops and criminals alike. Tim is perfect as the regular schmo who suddenly finds himself thrust into a subterranean world of crime and intrigue, discovering his dark side as events force his hand. But the author occasionally succumbs to a tempo-wrecking focus on unnecessary detail. Scenes involving cars in particular tend to read like something out of a Honda brochure, as Tim rattles off long lists of features. (When a kidnapper speeds off with him as a hostage, he grabs in panic “the brushed-aluminum passenger door handle.”) Other than that, though, the timing is just right, and most readers will find themselves desperate to finish just one more page before putting the book down.

Barclay (No Time for Goodbye, 2007, etc.) has written a page-turning thriller that’s intense, compelling and, for the most part, expertly paced.

Pub Date: Aug. 11, 2009

ISBN: 978-0-553-80716-5

Page Count: 408

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland(1992) to An Officer and a Spy(2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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