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THE LIE MAKER

A relentless mystery with an affecting dose of father-son intrigue.

Struggling Boston novelist Jack Givins exploits an unusual writing job for the U.S. Marshals Service to track down his father, a reluctant hit man who vanished into witness protection when Jack was 9.

The father, Michael Donohue, was whisked away 25 years ago after turning state's evidence on his boss Galen Frohm, the corrupt operator of a nationwide chain of cheap motels. Frohm ordered Michael to kill the owner of a linen company in Chicago who was making noise about the payoffs he was required to make to Frohm to service the Sleep Tight Tonite motels. Jack’s mother refused to leave with her husband, staying behind with her shattered son. “Your dad's not a good person. Your dad killed people, son,” Michael told Jack, words that would haunt the boy through the years. Now, scuffling for employment after failing to sell his third novel, Jack is hired by a U.S. marshal to concoct a convincing backstory to be used by a man being placed in witness protection. After Jack’s car is torched amid other mysterious occurrences, including the disappearance of the judge who presided over Michael's trial, Jack and Lana Wilshire, his dogged newspaper reporter girlfriend, find themselves in the middle of a revenge plot to kill Michael, wherever he is. For most of the book, Barclay does a bang-up job of mixing and matching characters and plotlines and building suspense. A big reveal badly stretches credulity, though, and for a fiction writer, Jack proves to have a limited imagination. But Barclay’s latest is a fun ride nonetheless, with dips and swerves that should delight his fans.

A relentless mystery with an affecting dose of father-son intrigue.

Pub Date: May 16, 2023

ISBN: 9780063276246

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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