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WOMAN ON FIRE

This novel does not do subtle.

Barr’s second novel about Nazis and art, following Fugitive Colors (2013), features an epic struggle to reclaim one spectacular purloined painting.

Carl Geisler, son of Nazi art thief Helmuth Geisler, is hoarding an inherited fortune of contraband art when he’s murdered by New York art impresario Margaux de Laurent. Margaux needs Carl’s cache of priceless masterpieces—the cream of French impressionism and German expressionism—to sell on the dark web. Only thus can she save her own heritage, De Laurent Galleries, from financial ruin. Dan Mansfield, the old-school crusading editor of a Chicago newspaper, is called upon by an old friend to investigate a lost painting. Enter Jules Roth, a 24-year-old journalism graduate, who hero-worships Dan. The old friend, octogenarian fashion icon Ellis Baum, designer of high-end stilettos, never divulged the wartime horrors preceding his arrival in America as a 13-year-old orphan. His mother, Anika, a German beauty queen who was the mistress of his father, Jewish banker Arno Baum, posed for Woman on Fire, the final work of Ernst Engel, a groundbreaking German expressionist executed by Hitler’s art police. Ever since Helmuth Geisler brutally dispatched Anika, Ellis has been searching for her portrait. But Woman on Fire is among Margaux’s Geisler spoils, and she’s keeping it to honor her grandfather, Charles de Laurent. A French Jewish art dealer, Charles saved many masterworks from the Nazis before being forced to sell Woman on Fire to Geisler. Stereotypes abound. Jules and her sidekick, recovered addict and art-world phenomenon Adam Chase, are stunning. Margaux, archvillain, is beautiful in a Dorian Gray sort of way, her inner rot concealed in the attic of her id. Margaux also weaponizes words: “I don’t do delicate.” She, Ellis, and Dan command the reader's interest due to their desperate pursuit of their obsessions. That interest flags whenever the torch is passed to the more decorative, blander characters.

This novel does not do subtle.

Pub Date: March 1, 2022

ISBN: 978-0-06-304-088-5

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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PEOPLE WE MEET ON VACATION

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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