This novel does not do subtle.
Barr’s second novel about Nazis and art, following Fugitive Colors (2013), features an epic struggle to reclaim one spectacular purloined painting.
Carl Geisler, son of Nazi art thief Helmuth Geisler, is hoarding an inherited fortune of contraband art when he’s murdered by New York art impresario Margaux de Laurent. Margaux needs Carl’s cache of priceless masterpieces—the cream of French impressionism and German expressionism—to sell on the dark web. Only thus can she save her own heritage, De Laurent Galleries, from financial ruin. Dan Mansfield, the old-school crusading editor of a Chicago newspaper, is called upon by an old friend to investigate a lost painting. Enter Jules Roth, a 24-year-old journalism graduate, who hero-worships Dan. The old friend, octogenarian fashion icon Ellis Baum, designer of high-end stilettos, never divulged the wartime horrors preceding his arrival in America as a 13-year-old orphan. His mother, Anika, a German beauty queen who was the mistress of his father, Jewish banker Arno Baum, posed for Woman on Fire, the final work of Ernst Engel, a groundbreaking German expressionist executed by Hitler’s art police. Ever since Helmuth Geisler brutally dispatched Anika, Ellis has been searching for her portrait. But Woman on Fire is among Margaux’s Geisler spoils, and she’s keeping it to honor her grandfather, Charles de Laurent. A French Jewish art dealer, Charles saved many masterworks from the Nazis before being forced to sell Woman on Fire to Geisler. Stereotypes abound. Jules and her sidekick, recovered addict and art-world phenomenon Adam Chase, are stunning. Margaux, archvillain, is beautiful in a Dorian Gray sort of way, her inner rot concealed in the attic of her id. Margaux also weaponizes words: “I don’t do delicate.” She, Ellis, and Dan command the reader's interest due to their desperate pursuit of their obsessions. That interest flags whenever the torch is passed to the more decorative, blander characters.
This novel does not do subtle.Pub Date: March 1, 2022
ISBN: 978-0-06-304-088-5
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK TO SCREEN
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
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