Next book

THE LAIRD TAKES A BRIDE

A bright, intelligent, heart-tugging romance.

Highland spinster Fiona Douglass is forced to attend a house party designed to find a bride for Alasdair Penhallow and has every expectation of being looked over, but after a series of unexpected events, she finds herself married to the intriguing, infuriating man.

Fiona, the eldest and only unmarried daughter of a Scottish chieftain, has spent the past nine years being useful and resourceful in her father’s castle in an attempt to distract herself from the pain of watching her beloved sister marry the man she was in love with. Since that time she’s become a master at list-making and problem-solving, avoiding her moody father when necessary, and avoiding the many men who’d like to marry her for all the wrong reasons. So when it’s discovered that Alasdair Penhallow, the chieftain of Castle Tadgh, having reached his 35th year, must “immediately invite the eligible highborn maidens of the Eight Clans of Killaly to stay within the castle, and within thirty-five days choose one to be his bride,” Fiona is packed off to the event. Up against three much younger ladies, Fiona is perfectly content when she and Alasdair get off to a rocky start. He is obviously a ne’er-do-well with no interest in her. As the days pass, however, she begins to see him, his clan, and his lovely castle in a different light. After a tragic accident narrows the field, Alasdair and Fiona conclude that they must marry and surprise themselves by getting along quite well. Yet Alasdair mourns past losses, and Fiona, also wounded, feels spurned again by a man who makes her feel she’ll never be good enough. With her sophomore effort, Berne shows a special mastery for characters who hide their feelings, even from themselves, and yearn, even when they don’t realize it. A difficult love scene is also brilliantly rendered.

A bright, intelligent, heart-tugging romance.

Pub Date: Aug. 29, 2017

ISBN: 978-0-06-245181-1

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Sept. 18, 2017

Kirkus Reviews Issue: Oct. 1, 2017

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview