This cute and clever sequel is the story of the Gingerbread Boy’s younger sister. Rationalizing that a sweet girl surely would not run away from them, the lonely old couple again attempts a gingerbread child. But she has other ideas: “I’ll run and I’ll run / With a leap and a twirl. / You can’t catch me, / I’m the Gingerbread Girl!” As she runs through town, she captures the interest and appetite of many, but she just spouts witty poetry and sings her trademark refrain. At the river, she accepts a ride on the fox’s tail, moves to his back as the water creeps higher and even climbs onto his head. But in one cunning move, she masters the fox and leads her entourage back to the old couple’s house where they bake gingerbread for everyone and are never lonely again. Ernst’s facial expressions are spot-on. Her illustrations reflect the country setting in both the muted colors and the gingham pattern of the borders and backgrounds. A wonderful addition to other happy-ending, empowered-girl, fairytale remakes. (Picture book. 4-8)
Pub Date: Sept. 1, 2006
ISBN: 0-525-47667-9
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This book offers a fine mirror for brown boys who aspire to write, but it’s also a great pro-literacy story for all children...
A positive tale of how a story can emerge organically from an inkling of an idea to an imaginative literary excursion—even at the hands of preliterate kids.
This story’s young, brown-skinned male protagonist admires his big sister, who loves to read and write “BIG words and (little) words, page after page.” But with just his “swirl after swirl. Squiggle after squiggle,” he thinks he can’t write a story. Like any good writing coach, his sister tells him: “Write what you KNOW.” Using letters and squiggles, he writes about a visit to the ocean, where he and his sister play soccer, see waves, and encounter a shark. His story looks like this: “I o U …. VvVVvv ^.” During show and tell at school, he shares his draft and gets feedback, which helps him finish the story. Lowery’s line drawings and use of frames and speech bubbles common in comics make this a lively story that keeps readers guessing. He paints the protagonist’s story in progress in pale green, bringing the child’s imagination to life. The story’s ending suggests a sequel—or several—that will perhaps illustrate the protagonist’s growth as both reader and writer.
This book offers a fine mirror for brown boys who aspire to write, but it’s also a great pro-literacy story for all children about brown kids who hold reading and writing in high regard. (Picture book. 4-8)Pub Date: Sept. 6, 2016
ISBN: 978-1-77138-016-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Lazy Jamie O'Rourke doesn't lift a finger, even after his wife hurts her hack digging the "praties" they depend on; but he does catch a leprechaun, who gives him a seed that grows into a potato so large that it takes the combined efforts of the village to dig it and, subsequently, to eat it—"until no one wanted to see or hear of potato again." DePaola's "Note About the Story" tells more of his own family history than of "the short tale that inspired" this one, which is totally unsourced; presumably, it predates the tragedy of the Potato Famine. Anyway, as retold here, it makes a cheery picture book, with the artist using the lighter, brighter side of his palette and including some affectionate caricatures of the Irish in his decorative illustrations. Attractive and amusing. (Picture book. 4-8)
Pub Date: Feb. 20, 1992
ISBN: 0-399-22257-X
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1991
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