A natural shower gift for parents-to-be or an excellent way to introduce the topic of where a young reader’s story began.
Everyone loves a good beginning.
Graff delivers a heartwarming tale about a baby’s introduction into the world, one guaranteed to be read and reread by children who wonder where their own tales began. She employs a simple yet effective rhyme scheme—each rhyming couplet ends with “you”—that soothes like a cherished lullaby as the narrator describes the wait for the birth of a baby. Graff, known for her enchanting middle-grade novels (Far Away, 2019, etc.), deftly relays the worry, delight, anticipation, and joy of impending parenthood. With each spread she employs the now-popular comparison of fruit to developing baby as eager expectant parents address the child to come: “When you were an eggplant, we called in our crew. / We painted and prepped and we waited for you,” reads one representative spread. German artist Kaulitzki shares an inclusive cast of characters, depicting a multitude of family types to satisfy many of the ways modern people create a family, including evidently same-sex couples and several sets of interracial parents. While there are plenty of pregnant bellies in evidence, some scenes are open to interpretation of adoptive families. Her color palette is soft, rich, and warm, and her compositions are the artistic equivalent of a hug, blending fluid lines and whimsical colors as well as patterns to appeal to a diverse audience. (This book was reviewed digitally with 10-by-16-inch double-page spreads reviewed at 150% of actual size.)
A natural shower gift for parents-to-be or an excellent way to introduce the topic of where a young reader’s story began. (Picture book. 3-6)Pub Date: Aug. 18, 2020
ISBN: 978-1-984837-38-7
Page Count: 32
Publisher: Philomel
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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