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SQUAWKING MATILDA

Mae is always working on a new project, to the detriment of unfinished previous ones, like making Dog glow in the dark or covering cows’ cold udders. When her Aunt Susan sends one of her chickens—an unhappy one—the sassy, smart and “beee-yoo-tiful” fowl tests Mae’s mettle. Matilda is demanding, and when new projects divert Mae’s attention, she goes missing. Even worse, Aunt Susan is coming for a visit! Mae has just enough time to find and re-feather Matilda and make her a warm jacket decorated with shells, coins and charms—one befitting a chicken with attitude—that finally satisfies Matilda. The thin premise and title pun are merely vehicles for the unique illustrations. An author’s note on the dedication page describes how the puppet illustrations were created, an inventive process that resembles stills from an animated movie but appear artificial, especially the people. The story chickens out, but the artwork is worth a look. (Picture book. 5-8)

Pub Date: April 1, 2009

ISBN: 978-0-7614-5463-2

Page Count: 40

Publisher: Marshall Cavendish

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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