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YOU DON'T WANT TO KNOW

Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.

New York Times’ bestselling author Jackson puts her touch on this dark thriller and tale of forbidden romance.

Ava Church Garrison has it all. She’s beautiful, a near-genius and wealthy. Married to a handsome attorney and living in her family’s ancestral home on a small island off the coast of Washington, her future couldn’t be brighter, except for one small problem. It appears to everyone, including Ava, that she’s lost her mind. It all started when she lost her child. Two-year-old Noah wandered out of the house, and authorities believe he fell into the icy water and drowned. But Ava won’t accept this. She keeps searching for Noah, her searches prompted by sounds and visions she can’t control. No matter what she does, Ava keeps hearing Noah call for help and sees him toddling off toward the dock. To add to Ava’s issues, she has her loony-bin-worthy family living with her. Her cousin, Jewel-Anne, wheelchair-bound following an accident that killed Ava’s only brother, and the rest of her family treat her like she’s a basket case. Even her best friend (who's Jewel-Anne’s nurse) and the household help are creepy. In fact, everyone in the book qualifies as a character out of an Alfred Hitchcock movie. Plus, there’s also the little problem of the escaped madman, who may or may not still be hiding on the island, and Ava’s therapist, a woman she fears has grown too close to Ava’s husband, Wyatt. Soon, the landscape is littered with bodies, and Ava is rapidly finding herself the target of a police investigation. With only the help of a newly hired hand on the estate, she tries to prove she’s not crazy and find her son in the bargain. Jackson’s book is crammed with suspects and a palpable air of creepiness, but readers will spot a number of inconsistencies in the story and ultimately grow weary of the way she draws out the action with unnecessary dialogue and details.

Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.

Pub Date: Aug. 1, 2012

ISBN: 978-0-7582-5857-1

Page Count: 416

Publisher: Kensington

Review Posted Online: July 21, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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