Smartly written, socio-cultural vignettes that speak to everyone, loud and clear.

READ REVIEW

BITCHFEST

TEN YEARS OF CULTURAL CRITICISM FROM THE PAGES OF BITCH MAGAZINE

Feminist-energized pop-culture essays that appeal to a wide array of tastes and reading preferences as they celebrate Bitch’s tenth anniversary.

Margaret Cho doesn’t mind being called a bitch, she quips in the introduction: “I have taken it as a compliment.” So have many of the 43 writers assembled here, all equally frustrated by the force-feeding of mass-media values and the lack of motivational role models. Jervis and Zeisler founded the ’zine to eschew the complacent postfeminist viewpoint. Among the inspiring and the outspoken are features on young-adult novelist Norma Klein (“Stormin’ Norma”); “the trials of female adolescence” via horror film (“Bloodletting”); the empowering androgyny of ’80s music videos (“Amazon Women on the Moon”); the atrocity of rape (“The Collapsible Woman”); and current hot topics gay parenting (“Queer and Pleasant Danger”) and cosmetic reconstruction (“Plastic Passion,” “Vulva Goldmine”). Many of these pieces are spirited with a unique feminine bravado, but the editors don’t leave out the male point of view; there are terrific essays on the emasculating effects of male bonding (“Holy Fratrimony”) and the notion of the fading usefulness of men (“Dead Man Walking”). Less engrossing offerings include discourses on speech tics (“The, Like, Downfall of the English Language,” “On Language”), the art of peeing (“Urinalysis”), “humilitainment” (“XXX Offender”) and the “tragedy” of lesbians who sexually desire men (“What Happens to a Dyke Deferred?”). Pieces that make room for humor are stronger than the indignant, alarmist entries; some of the strongest works get right to the awful truth: Martha Stewart is man-less because “she doesn’t seem to exude that warmth and caring nature men enjoy” (“The Paradox of Martha Stewart”); both Jane Magazine (“Pratt-fall”) and Carnie Wilson (“Your Stomach’s the Size…”) should just go away. By volume’s end, alas, feminism fatigue definitely sets in and deep, anti-conspiratorially cleansing breaths are in order for all warrior princesses.

Smartly written, socio-cultural vignettes that speak to everyone, loud and clear.

Pub Date: Aug. 8, 2006

ISBN: 0-374-11343-2

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2006

Did you like this book?

No Comments Yet

Not an easy read but an essential one.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

Did you like this book?

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • New York Times Bestseller

  • IndieBound Bestseller

  • National Book Award Winner

  • Pulitzer Prize Finalist

BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

Did you like this book?

more