Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...
A gumbo seasoned with ghosts, love, and murder on the bayou.
When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.Pub Date: Oct. 1, 2001
ISBN: 0-399-14824-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.
New York Times’ bestselling author Jackson puts her touch on this dark thriller and tale of forbidden romance.
Ava Church Garrison has it all. She’s beautiful, a near-genius and wealthy. Married to a handsome attorney and living in her family’s ancestral home on a small island off the coast of Washington, her future couldn’t be brighter, except for one small problem. It appears to everyone, including Ava, that she’s lost her mind. It all started when she lost her child. Two-year-old Noah wandered out of the house, and authorities believe he fell into the icy water and drowned. But Ava won’t accept this. She keeps searching for Noah, her searches prompted by sounds and visions she can’t control. No matter what she does, Ava keeps hearing Noah call for help and sees him toddling off toward the dock. To add to Ava’s issues, she has her loony-bin-worthy family living with her. Her cousin, Jewel-Anne, wheelchair-bound following an accident that killed Ava’s only brother, and the rest of her family treat her like she’s a basket case. Even her best friend (who's Jewel-Anne’s nurse) and the household help are creepy. In fact, everyone in the book qualifies as a character out of an Alfred Hitchcock movie. Plus, there’s also the little problem of the escaped madman, who may or may not still be hiding on the island, and Ava’s therapist, a woman she fears has grown too close to Ava’s husband, Wyatt. Soon, the landscape is littered with bodies, and Ava is rapidly finding herself the target of a police investigation. With only the help of a newly hired hand on the estate, she tries to prove she’s not crazy and find her son in the bargain. Jackson’s book is crammed with suspects and a palpable air of creepiness, but readers will spot a number of inconsistencies in the story and ultimately grow weary of the way she draws out the action with unnecessary dialogue and details.
Melodramatic and filled with a lot of pointless meanderings, but Jackson’s many fans will still enjoy it.Pub Date: Aug. 1, 2012
ISBN: 978-0-7582-5857-1
Page Count: 416
Publisher: Kensington
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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