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TO THE MOON AND BACK

A CHILDHOOD UNDER THE INFLUENCE

If writing is an evacuation tool to process and understand abuse, Kohn has done an excellent job of producing a text that...

A teacher and leadership consultant takes readers into the crevices of a cult.

Growing up in New York in the 1970s, debut author Kohn had few points of reference through which she could make sense of the world around her. She and her brother, Robbie, were caught in the throes of their parents’ belief in the Unification Church, founded by a self-appointed messiah, Sun Myung Moon (followers were called Moonies). “As a kid you misinterpret the nasty things that happen to and around you, and you somehow believe you’re to blame,” writes the author. “As a young adult, I internalized this more and more. As an older adult, I still can. I get lost in darkness and desperation. I can feel unworthy or damaged or hopeless. I have my scars and insecurities, my fears that feel like they’ll engulf me. I can be washed over with shame.” The austere tone of this introductory passage doesn’t quite represent the vivacity with which Kohn writes about her struggle breaking out of the mold in which her parents trapped her. The author explores her teenage years, when she interacted with peers who knew nothing about her strict behavioral guidelines, the boyfriends who came in and out of her life as her dogma changed, and her shifting relationship with her father. Some qualify the Unification Church as a cult, and Kohn appears to agree with that line of thought. But this is not just an inside-the-cult book; this is the story of a woman who attempted everything in her power to get out of it. “I learned on my journey through self-help programs that I had experienced covert abuse,” writes the author. “Too much had happened to me and around me, and much of it had been off-kilter.”

If writing is an evacuation tool to process and understand abuse, Kohn has done an excellent job of producing a text that oozes with honesty and truth.

Pub Date: Sept. 18, 2018

ISBN: 978-1-942762-44-7

Page Count: 242

Publisher: Heliotrope Books

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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